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#71
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On Sat, 11 Oct 2008 19:31:17 +0100, Silk wrote:
Indeed. Meant for those with brains. To give 'em a good wash. Washed brains make more obedient and compliant citizens. Doubleplusgood goodthinked. |
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#72
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In article , Jerry
scribeth thus "Dave Plowman (News)" wrote in message ... snip Which is why things like stereo too ain't anything like so important for most. Quite frankly most stereo radio is wasted (for the reasons stated previously), I would say that the only BBC radio station that benefits from stereo is R3, the rest could put the freed up spectrum to better use - or just not bother... Cloth ears!... -- Tony Sayer |
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#73
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In article , Ivor Jones
scribeth thus In , Edster typed, for some strange, unexplained reason: [snip] Of course, this is not an argument in favour of low audio quality. : The broadcasters should aspire to the best possible audio quality : : Why? It's just not necessary, except for the very few who have an : anechoic chamber to sit in while they listen.. : : Or headphones that didn't come from the pound shop. I have a pair of Beyer DT100 headphones. Best £90 I've spent in a long time. Ivor Don't you find them a bit "coloured"?.. -- Tony Sayer |
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#74
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In article en.co.uk,
Roderick Stewart scribeth thus In article , Bill Wright wrote: Most people can't hear anything wrong with DAB. Hear?, thats the least of what wrong with DAB!... -- Tony Sayer |
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#75
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In article , Dave Plowman (News)
scribeth thus In article , Agamemnon wrote: DAB was doomed from the start. Now perhaps Ofcom will step in and close the whole thing down and create a new system which is based on quality and open broadcast standards, i.e., OGG Vorbis/AAC+HC at 64 kbps minimum requirement, mp3 at no lower than 224 kbps, mp3 at no lower than 320kbps, and compulsory 5.1 surround compatible encoding on all BBC stations at bitrates of 192kbps AAC/OGG Vorbis, over the air updates and upgrades of audio codecs so that new more efficient ones can be introduced when developed, and the ability to broadcast individual stations without the need to put them on a regional multiplexes, and all Community Radio digital transmission costs to be met by Ofcom from a levy on commercial radio and the BBC licence fee until the price of equipment and links reaches affordable levels. Given that DAB had extremely poor take up when introduced - with reasonable bit rates - and reached what is likely its maximum increase in sales *after* those bitrates were reduced - what makes you think the public will rush to buy yet another different system - given there are now so many ways you can listen to 'radio' programmes? The vast majority of those who listen to radio are perfectly happy with the present DAB (if they own a set). Try asking your neighbours rather than those with axes to grind on here, etc. Ever though of what it must be like to be a commercial broadcaster and know that a lot of people won't be listening cos as yet theirs bugger all DAB sets fitted in cars as standard equipment?... -- Tony Sayer |
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#76
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In article , Dave Plowman (News) wrote:
I take it you've never heard decent stereo? For it to work properly you must sit between the speakers where you and they form a triangle. Not really practical when moving around the house or room - as most do when listening to the radio. Which is now really a background occupation in general - unlike in days of yore. It's not background when it's Beethoven. Rod. -- Virtual Access V6.3 free usenet/email software from http://sourceforge.net/projects/virtual-access/ |
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#77
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In article , Dave Plowman (News) wrote:
Given that DAB had extremely poor take up when introduced - with reasonable bit rates - and reached what is likely its maximum increase in sales *after* those bitrates were reduced - what makes you think the public will rush to buy yet another different system - given there are now so many ways you can listen to 'radio' programmes? I was interested enough in DAB when it was introduced to read about it and wonder when it would be introduced where I live, and to consider getting a tuner to receive it. Then I found out that the tuners cost more than I had spent on my entire hifi system. I wonder what the deciding factor might have been amongst ordinary folks who were not broadcast engineers hifi enthusiasts or music lovers? Rod. -- Virtual Access V6.3 free usenet/email software from http://sourceforge.net/projects/virtual-access/ |
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#78
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In article , SpamTrapSeeSig
wrote: You're missing the point. It's not that colour is a gimmic, nor that hi-fi sound is a waste of time, but that stereo sound _usually_ doesn't relate to picture. It really doesn't. True, but irrelevant. Stereo sound doesn't need to "relate to the picture" any more than the colour of someone's shirt needs to relate to the plot in order to improve the viewers' enjoyment of the programme. A good stereo background or appropriate room reverb can make a scene feel more real, and while most dialogue is central (not even recorded in stereo in fact), the dramatic possibilities of occasional off-screen lines or spot effects are sometimes used. Rod. -- Virtual Access V6.3 free usenet/email software from http://sourceforge.net/projects/virtual-access/ |
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#79
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On Sat, 11 Oct 2008 14:14:49 +0100, "Dave Plowman (News)"
wrote: In article en.co.uk, Roderick Stewart wrote: No-one is bothered because the quality of radio transmissions is almost entirely irrelevant. I know no-one who sits down in front of their radio just to listen to it. They're always doing something else at the same time, getting up, cooking their breakfast, eating their toast, reading their newspaper, belching, cleaning their teeth, driving to work. And all those things are noisy, so any quality, as long as it isn't absolutely appalling, is in fact perfectly adequate. You've got it in one. Which is why things like stereo too ain't anything like so important for most. Audio technology has progressed a bit since the days of 2LO, crystal sets and wind-up gramophones playing 78rpm records, so *somebody* must care. I take it you've never heard decent stereo? For it to work properly you must sit between the speakers where you and they form a triangle. Not really practical when moving around the house or room - as most do when listening to the radio. Which is now really a background occupation in general - unlike in days of yore. I think you'll find that most people these days don't know what 'stereo' actually is. Marky P. |
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#80
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"DAB sounds worse than FM" [email protected] wrote in message ... There's lots of reasons for this: http://www.digitalradiotech.co.uk/ar...nd-quality.php Mainly it's that "it's digital, so it's better, innit". The media persist in propagating the myth that digital is always better than analogue. This is partly because this is the official line and partly because journos are mostly lazy no-good arts educated people. But that isn't really the point. The man on the Clapham bendybus is completely and utterly unable to differentiate between good FM and bad DAB. I know it's almost incredible, but it's true. Some weeks ago I went into a flat to test the signals from the communal dish. The TV set was on and the family were watching it. As I went about my task I vaguely thought that the programme had a very over the top audio effect, because everything was very echoey, like the sound in a huge empty hard-walled place like a cooling tower. Having established that the signals from the satellite system were indeed somewhat deficient I turned to the man of the house to explain that I would have to go to the plantroom to investigate further. I picked up the remaote and flicked through the terrestrial (analogue) channels, just for a quick check. The sound was just as echoey on all the other channels. "The sound's a bit peculiar." "It's a bit funny innit but we got used to it." "Do you might if I have a fiddle about with your remote?" "Feel free." It turned out that the audio was on a setting called 'cathedral'. After I altered it the sound was remarkably better to my ears, but the blank looks from the assembled throng suggested that the improvement had not been discerned, or at least was not appreciated. Bill |
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