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#101
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"DAB sounds worse than FM" [email protected] wrote in message ... "Agamemnon" wrote in message . uk "DAB sounds worse than FM" [email protected] wrote in message ... "Dave Plowman (News)" wrote in message In article , Agamemnon wrote: DAB was doomed from the start. Now perhaps Ofcom will step in and close the whole thing down and create a new system which is based on quality and open broadcast standards, i.e., OGG Vorbis/AAC+HC at 64 kbps minimum requirement, mp3 at no lower than 224 kbps, mp3 at no lower than 320kbps, and compulsory 5.1 surround compatible encoding on all BBC stations at bitrates of 192kbps AAC/OGG Vorbis, over the air updates and upgrades of audio codecs so that new more efficient ones can be introduced when developed, and the ability to broadcast individual stations without the need to put them on a regional multiplexes, and all Community Radio digital transmission costs to be met by Ofcom from a levy on commercial radio and the BBC licence fee until the price of equipment and links reaches affordable levels. Given that DAB had extremely poor take up when introduced - with reasonable bit rates You're ignoring the minimum £300 price tag for DAB receivers whilst the bit rates were high. When were the bit rates ever high? 192kbps on the BBC was no where near FM quality. All the commercial stations were always at 128kbps so it's no surprise that no one listened to them. The BBC and a few commercial stations used 192 kbps up to 2001. Which was totally inadequate using the codec's of the time and even today and equivalent to mp3 at 96kbps. Nobody would pay £300 for a one speaker receiver (obviously the chose only one speaker to hide the severe distortion on stereo) with sound quality that bad. All DAB supporters conveniently ignore this. I wonder why. And the fact that the stations targeted teenagers alone, none of whom could possibly afford the receivers and even if they could they were not "Walkman" sized so couldn't be carried around in their pockets. And of course teenagers would have had greater sensitivity to high frequencies but DAB at 128kbps has a frequency response barley better than Medium Wave and is impossible to listen to on headphones anyway because of all the compression artefacts. Also, it's teh advertising, stupid. There was no TV ads for DAB when the bit rates were high. The 20 BBC TV ad campaigns came after the bit rates were low. The bit rates were always low. The BBC and a few commercial stations used 192 kbps up to 2001. Which was totally inadequate using the codec's of the time and even today and equivalent to mp3 at 96kbps. Nobody would pay £300 for a one speaker receiver (obviously the chose only one speaker to hide the severe distortion on stereo) with sound quality that bad. Advertising DAB would have made no difference. The sound quality was utter crap so what did they have to advertise, nothing but low bit rate stations for teenagers who couldn't afford the receivers and who couldn't bare the levels distortion with their sensitive hearing. |
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#102
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"Jerry" wrote in message ... "DAB sounds worse than FM" [email protected] wrote in message ... "Dave Plowman (News)" wrote in message snip Given that DAB had extremely poor take up when introduced - with reasonable bit rates You're ignoring the minimum £300 price tag for DAB receivers whilst the bit rates were high. All DAB supporters conveniently ignore this. I wonder why. Also, it's teh advertising, stupid. There was no TV ads for DAB when the bit rates were high. The 20 BBC TV ad campaigns came after the bit rates were low. There was no advertising for Colour TV when introduced (other than a BBC 1 colour logo) either and yet people were prepared to send a dammed sight more than 300 quid on a colour set back then (the equivalent is something like spending 1,000 plus UKP in today's money And 3 times the licence fee. Steve, like those who are paying that sort of money when buying into the flat panel HD sets), they did so - like today with HD - because there was a benefit for them in doing so, DAB has no benefit to 98% of the population apart from allowing more choice, in that DAB has been a success even though receivers are still at least 3x as expencive than the equivalent analogue receiver. More choice? Choice for who? All the commercial stations were directed at teenagers, provided lousy sound quality and were beyond their pockets. It was a complete failure from its very inception. |
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#103
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Dave Plowman (News) wrote:
In article , Mark Carver wrote: No good for true stereo - unless a dummy head recording. That's true, though I remember the first time I heard stereo music through headphones, I thought the experience was far more 'vibrant' than via speakers. Of course YMMV. Like I said earlier few have ever heard decent stereo. That takes me back to an episode from childhood... I was walking down Southend high street with mother in tow, looking to spend the money I had got for my birthday. Personal stereos had just about fallen to a price point where I could afford one (we are talking early 80's here), and that is what I was after. Having mentioned this fact, I was now getting the extended lecture about "what do you want another cassette player for? You have already got one...". So I attempted to explain that this was stereo, and a significant jump up in audio performance from an "ordinary" cassette player etc. This almost fell on deaf ears (after all here was the woman who would quite happily listen to the world service on a dodgy mini portable radio, where the heterodyne whistle was the only clearly audible part of the experience). The we switched tack to "Well if you are going to *waste* your money on another one, why not get one we can all listen to, instead of one where you have to use headphones?". Eventually we reached the target shop, that had the right model at the right price. I asked for a demo and had a quick listen to confirm it was on par with those I had auditioned before, then stuck the headphones on mother. Cue, the first 20 seconds of silence of the ongoing 30 minute nag-fest. The final comment "oh, it is rather good isn't it!" -- Cheers, John. /================================================== ===============\ | Internode Ltd - http://www.internode.co.uk | |-----------------------------------------------------------------| | John Rumm - john(at)internode(dot)co(dot)uk | \================================================= ================/ |
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#104
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"Dave Plowman (News)" wrote in message ... In article , Agamemnon wrote: Given that bitrates on DAB were always too low from the very start I'd guess you're the sort where any bitrate is always too low... and the sound quality was abysmal why should anyone have bought the super expensive receivers when they were first introduced and why should anyone buy them now when they offer barley any improvement over the sound quality of Medium Wave. ... as well as talking pure ********. It's obvious you've never listened to either Medium wave or DAB when you come out with crap like that. It is obvious that you have defective hearing if when you come out with ******** like that. Compare the Asian Network on DAB (about 64kbps in mp2, equivalent to 32kbps real audio) with the Asian Network on Medium Wave. The sound quality on Medium Wave is far superior. DAB is unbearable. The vast majority of those who listen to radio are perfectly happy with the present DAB (if they own a set). Try asking your neighbours rather than those with axes to grind on here, etc. The vast majority of people who listen to radio are not and have never been satisfied with the present DAB. Try asking your neighbours. Why would any of my neighbours or anyone in my street want to buy useless crap like a DAB receiver. They ain't teenage kids. What people want is quality, not qunatity. More ********, I'm afraid. Just look at any viewing/ listening figures. Obviously you are almost completely deaf then and you've even actually listened to any of the stations on DAB DAB in the UK should have been launched with a minimum bit rate of 320 kbps so that it was comparable to the sound quality on the equivalent system on the continent, near CD quality, and designed so that it would be compatible with 5.1 surround. It should have allowed for local and community radio stations to be broadcast individually from their own transmitters and not on huge regional multiplexes which were controlled by monopolies and were filled with automated rubbish intended for the consumption of no one but teenagers. How were teenagers supposed to afford the cost of the receiver when they cost over £250 for a tiny one speaker radio and how could they listen to the programmes on headphones on "Walkman" style radios (which were never introduced) when the sound quality was so bad it was and still is unbearable at the low bit rates it was transmitted at? Well there's a mux going begging so here's your chance to show the broadcasters where they went wrong. What do I want a whole mux for. I already told you that the whole problem with multiplexes is that they are not local. What radio listeners want is local and community radio telling them what is going on in their town and catering for local bands and musicians and local musical tastes not quasi-national radio primarily directed at teenagers playing exactly the same music as every other station, above all that what everyone wants, who isn't deaf, is sound quality which is close to that of CD or DVD. |
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#105
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"Edster" wrote in message ... "Dave Plowman (News)" wrote: What people want is quality, not qunatity. More ********, I'm afraid. Just look at any viewing/ listening figures. I would suspect the reason not many people listen to Radio 3 would be more because of its content than because of its high quality. Given that Classic FM is the most listened to and profitable commercial radio station your implied conclusion is obviously complete ********. |
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#106
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SpamTrapSeeSig wrote:
My point is that whatever panned-mono scheme is adopted for transmission, it's not stereo (although it has two channels). Furthermore for most output, NCA, chat and game shows, etc. 'stereo' adds little or nothing. It adds ambience and atmosphere. On a chat show you can get almost as much enjoyment without it, but its still better with it. For music and shows where there is a defined proscenium of some sort, it definitely helps, but they are a minority. For other things, sport, drama and nat hist for example you get some stereo atmos, that's nice to listen to , and definitely adds ambience, but doesn't as such contribute a stereo image matching the picture. The key here is that it rarely if ever hinders, so you could turn the argument around, and say why bother doing anything in mono? With today's technology two channels of (decent) sound is should be trivial - might as well make it the minimum standard. Good sound (especially multichannel) helps make any viewing experience more immersive IME, and opens up new layers of viewing pleasure (when done well anyway). -- Cheers, John. /================================================== ===============\ | Internode Ltd - http://www.internode.co.uk | |-----------------------------------------------------------------| | John Rumm - john(at)internode(dot)co(dot)uk | \================================================= ================/ |
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#107
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"Roderick Stewart" wrote in message .myzen.co.uk... In article , Dave Plowman (News) wrote: Given that DAB had extremely poor take up when introduced - with reasonable bit rates - and reached what is likely its maximum increase in sales *after* those bitrates were reduced - what makes you think the public will rush to buy yet another different system - given there are now so many ways you can listen to 'radio' programmes? I was interested enough in DAB when it was introduced to read about it and wonder when it would be introduced where I live, and to consider getting a tuner to receive it. Then I found out that the tuners cost more than I had spent on my entire hifi system. I wonder what the deciding factor might have been amongst ordinary folks who were not broadcast engineers hifi enthusiasts or music lovers? Those that were broadcast engineers hi-fi enthusiasts or music lovers said get stuffed to it because it was neither high fidelity, it wasn't even close to FM quality, and as for the music played on it, it was all the same pop songs looped over and over again directed exclusively at teenagers. |
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#108
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Dave Plowman (News) wrote:
Pretty well no one was interested in DAB when the bitrates were high. I was an early adopter because it was a way round my poor FM reception - and at that time there weren't alternatives as today. It was only some time after the choice of stations was increased that it got a reasonable take up. Make of that as you will. Also the time when DAB started to sell, was around around about the time that receiver prices became a lot lower, and also around about the time when there were huge high profile advertising campaigns for DAB. Richard E. |
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#109
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Dave Plowman (News) wrote:
Pretty well no one was interested in DAB when the bitrates were high. I was an early adopter because it was a way round my poor FM reception - and at that time there weren't alternatives as today. It was only some time after the choice of stations was increased that it got a reasonable take up. Make of that as you will. Also the time when DAB started to sell, was around around about the time that receiver prices became a lot lower, and also around about the time when there were huge high profile advertising campaigns for DAB. Richard E. |
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#110
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Bill Wright wrote:
There is one circumstance in which my head is permanantly at the optimum point for good stereo and that's when I'm working on this PC. I do enjoy stereo radio when I'm here. I find that even when my head is nowhere near the optimum position for stereo listening, I can still hear a significant stereo image, and it still sounds a lot better than mono. Richard E. |
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