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#11
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On Sat, 1 Dec 2007 12:13:35 -0500, "Nick Danger"
wrote: Anything you watch, regardless of the source, regardless of the receiver, has probably been through multiple transcodings. No matter how good the technology is, those repeated encodings and decodings will result in codec fatigue. Bit rot! I'm surprised that there seems to be no one who has access to the technology to sniff the bit stream and get the bit rate, and is willing to post the info here. I wouldn't be surprised to find that there is a secret code you can enter into a converter box or a TV to get it to display that information. If there's so much as a signal strength feature on my set, they've hidden it. But at some point, maybe I'll see what's hidden in the diagnostics. I am getting curious about it all. The human optic system is good at taking very distorted images and applying correction algorithms so that it can perceive them as normal. The typical NTSC picture comes nowhere near looking like reality. The RGB system used in all displays supposedly can display less than 50 percent of the colors that the eye is capable of recognizing. Yet we have trained ourselves to believe that what we see on TV is an accurate representation of reality. In time, we will learn to correct for digital artifacts and we just won't see them unless we make an effort to do so. Yep, I'm getting used to it pretty quick. I still need a stronger signal, have to work on my antennas, with that source of error eliminated, I'll be even more curious at the source of what's left. Here's an interesting thought. Eventually, someone will produce software that can "add detail" to SDTV content and give it the look and feel of HDTV. I'm not talking about just sharpening, but actual code to make hair and skin look like real hair and skin, and where there is a pattern on clothing, for example, to show detail in that pattern. John Brunner, in "Stand on Zanzibar" (1968?) proposed you'd be able to put your face on the lead character, etc. Or hey, buy a Humphrey Bogart avatar and recast the show. Or maybe watch everyone naked. I can hardly wait. It's already happening with Star Trek. And some fans are saying they don't like it because it's not the Star Trek that was originally produced back in The Day. Yeah I watched one of those ("Space Seed" no less) last weekend. The picture quality was scary, never looked that good when it was shot. Though somehow, maybe it would look better yet on a ten-inch round black and white rendering, with a bad vertical hold. That would make an amusing setting for some future digital tvs, render the show in sepia, or posterize it, etc. I suppose you can do some of that with the current color controls, gamma, etc. J. |
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#12
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Tantalust wrote:
"Bob Miller" wrote One way is to just change. You can learn to practice with one of these: http://www.stupid.com/stat/OBSS.html LOL! Good one. I'm saving that link. Thanks. Alan F |
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#13
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On Dec 1, 10:35 am, "Matthew L. Martin" wrote:
ninphan wrote: On Dec 1, 1:11 am, JXStern wrote: I've been watching the HD about a week now. I like it, can't imagine going back, should have switched earlier, and all that. Snippage has occurred The NTSC signal may always be fuzzier, with so many fewer pixels, but it still had a smoothness that the repeatedly compressed and decompressed digital signal, does not currently equal. Well, check in again in about five years, maybe the lossy codecs will get better in practice, or someone will offer less compressed material, or even lossless content. The technology is still pretty young. J. Wait until you hook a Blu-ray Disc player up to that bad boy, then you'll be happier than a pig in mud. The fanboi strikes again. Either an HD-DVD or a Blu-ray player is capable (with properly mastered media) of providing much better than OTA quality. Matthew -- "All you need to start an asylum is an empty room and the right kind of people". Alexander Bullock ("My Man Godfrey" 1936): Actually it just means that you're an idiot. I don't own an HD DVD player, so why would I comment on it. The technology is also not going to last, which is always the case when only one manufacturer is trying to introduce a new media without anyone else's backing. I also have a reply from Rochard Casey of R&B Films for you which I'll post in the relevant thread that completely refutes everything you think you know about 1080i. =D Love ya, ~ninphan |
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#14
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ninphan wrote:
On Dec 1, 10:35 am, "Matthew L. Martin" wrote: ninphan wrote: On Dec 1, 1:11 am, JXStern wrote: I've been watching the HD about a week now. I like it, can't imagine going back, should have switched earlier, and all that. Snippage has occurred The NTSC signal may always be fuzzier, with so many fewer pixels, but it still had a smoothness that the repeatedly compressed and decompressed digital signal, does not currently equal. Well, check in again in about five years, maybe the lossy codecs will get better in practice, or someone will offer less compressed material, or even lossless content. The technology is still pretty young. J. Wait until you hook a Blu-ray Disc player up to that bad boy, then you'll be happier than a pig in mud. The fanboi strikes again. Either an HD-DVD or a Blu-ray player is capable (with properly mastered media) of providing much better than OTA quality. Matthew -- "All you need to start an asylum is an empty room and the right kind of people". Alexander Bullock ("My Man Godfrey" 1936): Actually it just means that you're an idiot. I don't own an HD DVD player, so why would I comment on it. That's really interesting. You slavishly believe any specification that points to a theoretical benefit of the object of your fanboi lust, but when virtually the same specifications are available from another product, you suddenly don't know anything about it anymore. The technology is also not going to last, which is always the case when only one manufacturer is trying to introduce a new media without anyone else's backing. What technology would that be? Blu-ray? After all, it isn't a standard accepted by the DVD Consortium. I also have a reply from Rochard Casey of R&B Films for you which I'll post in the relevant thread that completely refutes everything you think you know about 1080i. Read and refuted. Get over yourself. Physics doesn't change just because you want it to. Matthew -- "All you need to start an asylum is an empty room and the right kind of people". Alexander Bullock ("My Man Godfrey" 1936): |
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#15
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On Sat, 01 Dec 2007 16:00:18 -0500 Bob Miller wrote:
| We thought that this was true many years ago and thought that the | broadcast spectrum should do what it could do best in the world of the | Internet and cable and satellite and that was to deliver IPTV to devices | that could be mobile or portable or fixed. The broadcast spectrum also does something else well. It delivers content to homes without the issues imposed by various cable, satellite, and telco companies. The real death of OTA would be for Congress to intervene and pass laws requiring all land and satellite based services to operate on a very competitive basis and at the utmost level of quality, without the business tactics of tricking people to get more than they need. This would include things like ala-cart channel and program selections. If we go the other way and shut off OTA delivery, the cable and satellite companies will just make things worse. | In a couple of months a lot of the TV spectrum will be auctioned of to | be used for two way wireless mobile Internet and mobile TV. That's a whole other area where competition is needed. | The rest of the TV spectrum, channels 2-51, is not and cannot compete | with fixed services like cable, satellite and FIOS if they don't have | mobile and portable capabilities. We see this today as OTA DTV is dieing. | | It is just a matter of time before channels 2-51 follow 52-69 into | either auctions or a change in modulation and codec so that they can | compete in this new world. Just the codec change is needed. -- |---------------------------------------/----------------------------------| | Phil Howard KA9WGN (ka9wgn.ham.org) / Do not send to the address below | | first name lower case at ipal.net / | |------------------------------------/-------------------------------------| |
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#16
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#17
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On Sun, 02 Dec 2007 13:06:24 -0500, Bob Miller wrote:
I have NO problem upgrading to a better 8-VSB if it is the best modulation after testing. Maybe diversity is simply the best answer. My PC must have a dozen download codecs right now, different media add-ins, and probably downloads another dozen dynamically on an average day, those stupid little video ads that now appear on all sorts of pages. I hope and expect that kind of diversity (if not the annoying ads!) is the future for TV. I want a lossless compression option or six, I know it eats bandwidth but even so. J. |
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#19
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JXStern wrote:
On Sun, 02 Dec 2007 13:06:24 -0500, Bob Miller wrote: I have NO problem upgrading to a better 8-VSB if it is the best modulation after testing. Maybe diversity is simply the best answer. My PC must have a dozen download codecs right now, different media add-ins, and probably downloads another dozen dynamically on an average day, those stupid little video ads that now appear on all sorts of pages. I hope and expect that kind of diversity (if not the annoying ads!) is the future for TV. I want a lossless compression option or six, I know it eats bandwidth but even so. J. The way the top down heavy handed political corrupt solution works is all about locking in IP royalty payments, cash, locking in a cash flow for outdated solutions. Diversity and all such things are hallmarks of the Internet. The last thing the corrupt political process wants is diversity or the chance to change to a better codec or modulation. Our 8-VSB and MPEG2 were bought and paid for by lobbyist who want to get what they paid for, the cash flow, for 50 years. Damn the public interest and damn any thought of what is best for the American public. We suggested in 1999 that an upgrade path for the MPEG2 codec should be required. If that had been done your current 8-VSB receiver would work out of the box with MPEG4. We also wanted a dual modulation system. We didn't want to erase 8-VSB, we wanted the option for broadcasters to use another COFDM based modulation. Again such diversity was anathema to the corrupt political process that has captured our government. Bob Miller |
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#20
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On Sun, 02 Dec 2007 15:14:01 -0500, Bob Miller wrote:
The way the top down heavy handed political corrupt solution works is all about locking in IP royalty payments, cash, locking in a cash flow for outdated solutions. Diversity and all such things are hallmarks of the Internet. So the Internet will lead the way. If the people lead, the leaders will follow, and like that. The last thing the corrupt political process wants is diversity or the chance to change to a better codec or modulation. Our 8-VSB and MPEG2 were bought and paid for by lobbyist who want to get what they paid for, the cash flow, for 50 years. Damn the public interest and damn any thought of what is best for the American public. Write Mr. Google a letter, maybe they'd like to lead on this. Could be beaucoup bux in it for someone. I mean, look how Hollywood has screwed up the music system. Got themselves royalties on blank videotapes. Resisted VCRs because it would kill the movies. Hah. But eventually, moaning and groaning and fighting their own best interests, things eventually stumble along in a positive direction. Keep bitchin', they deserve it - need it! Again such diversity was anathema to the corrupt political process that has captured our government. Easy now, let's just say they screwed up, that's pretty much endemic to our government and pretty much all governments, bureacracies, and establishments in all times and places. J. |
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