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#241
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"Sal M. Onella" wrote in message news:[email protected] "Ivan" wrote in message ... . I remember being severely ****ed off expecting to see the Moon landing in colour, only for it to be shown in 405 lines B\W on BBC1. You really didn't miss too much. The very first lander carried a B/W camera. The US prelude coverage was in color, but grainy images of Neil Armstrong stepping off the ladder were definitely monochrome. The big surge to color in the US had just passed in 1967/1968 (or so) and our TV networks were all exclusively in color. IIRC, we knew in advance that the images would not be in color, since, at that time, a small-enough/light-enough color video camera did not exist to make the trip. They took a "car" on later missions. :-))) Thinking back I was probably miffed because it wasn't shown on BBC2, where at least the talking heads and panel of 'experts' would have been in colour! (in my area BBC 1 and ITV didn't switch over to colour until 1970) |
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#242
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Sal M. Onella wrote:
"Roderick Stewart" wrote in message om... In article , Jc wrote: The vast majoirty of people in the UK got their sets in the 1970's! If the vast majority of TVs in this country were really 30 years old they'd be black and white, mono and the high street retailers would be out of business. What utter rubbish. You must be very young. We did have colour TV in the 1970s you know. Rod. Heck, even before -- 1967 to be exact. Ref: Pearce DW. Macmillan dictionary of modern economics. Macmillan Press Ltd, London, 1992 I saw it on display in a shop window and I have not been in the UK since 1968. I recall thinking it was a good, clear picture, accurate colors, albeit soft and subdued.) (Yes, I know Baird's work in the 1920s and 1930s. Spare me :-) The BBC experimented with NTSC transmissions originally, in 1963 they sold some of the RCA Victor televisions they'd been using. My father bought one and converted it to PAL, so I can remember watching some of the earliest, PAL test transmissions. I lost count of the number of times we saw a film about the damming of the Zambeze river. That set was still working when dad put it away in the cupboard, so presumably it still works. -- Adrian A |
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#243
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In article [email protected], Sal M. Onella [email protected]
ood.poisoning.org writes "Roderick Stewart" wrote in message . com... In article , Jc wrote: The vast majoirty of people in the UK got their sets in the 1970's! If the vast majority of TVs in this country were really 30 years old they'd be black and white, mono and the high street retailers would be out of business. What utter rubbish. You must be very young. We did have colour TV in the 1970s you know. Rod. Heck, even before -- 1967 to be exact. Ref: Pearce DW. Macmillan dictionary of modern economics. Macmillan Press Ltd, London, 1992 I saw it on display in a shop window and I have not been in the UK since 1968. I recall thinking it was a good, clear picture, accurate colors, albeit soft and subdued.) We were building all the transmission and studio gear for colour at the old Pye TVT works in 66-67 )...(Yes, I know Baird's work in the 1920s and 1930s. Spare me :-) -- Tony Sayer |
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#244
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tony sayer wrote:
We were building all the transmission and studio gear for colour at the old Pye TVT works in 66-67 )...Was that in Weybridge? -- Adrian A |
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#245
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"Sal M. Onella" wrote in message
news:[email protected] "Ivan" wrote in message ... . I remember being severely ****ed off expecting to see the Moon landing in colour, only for it to be shown in 405 lines B\W on BBC1. You really didn't miss too much. The very first lander carried a B/W camera. The US prelude coverage was in color, but grainy images of Neil Armstrong stepping off the ladder were definitely monochrome. Not much colour on the Moon anyway! And the image went fuzzy every time anything moved, so I suppose they averaged out the image over time in some way to reduce the noise. -- Max Demian |
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#246
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On Sun, 28 Aug 2005 09:16:08 +0100, Roderick Stewart
wrote: In article [email protected], Sal M. Onella wrote: Actually, not really. 576/480 = 1.2, whereas 720/(576 * .7) = 1.8 (.7 because of Kell factor). Also, because the 576 countries usually use 50HZ, they need a worse KEll factor blur to avoid worse flicker. "Kell factor blur"? There is no such thing. In any case, the Kell factor has nothing to do with the frame rate. I don't understand all of that. I know the 480 number to be the count of visible scan lines in NTSC and 50 Hz to be some countries' systems frame rate . I will look up Kell factor, but I think I will need some help in determining what 576 means. I don't recognize it. There are 575 active picture lines in the 625/50 system. One of them is in the form of two separate half lines, at the end of one field and the beginning of the other. Some equipment that includes buffer storage can cope more easily with this by providing storage for 576 lines. You could say there are 576 picture lines per frame, though two of them are only half the duration of all the others. Just to be pedantic, the lines are all the same duration. In the analogue world, the 2 lines are half blanked to give 2 x 1/2 active lines. In the digital world, the lines are full width, giving 576 active lines. |
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#247
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In article , Adrian
writes tony sayer wrote: We were building all the transmission and studio gear for colour at the old Pye TVT works in 66-67 )...Was that in Weybridge? No, Coldhams lane Cambridge..... -- Tony Sayer |
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#248
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"Max Demian" wrote
The very first lander carried a B/W camera. And the image went fuzzy every time anything moved The deicision to use black and white was more to do with bandwidth than cameras! |
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#249
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On Sat, 27 Aug 2005 16:15:04 -0500, Doug McDonald
wrote: Sal M. Onella wrote: "DAB sounds worse than FM" wrote in message ... you have to consider that standard definition TV is hardly very high resolution now (ignoring the interlace factor): 720 pixels x 576 lines = 414,720 pixels My definition of SDTV is a 480-line picture with 400 or so vertical lines of resolution -- US standard and it's not so good, I guess, measured against others' SDTV.. That's half the number of pixels described above. We are getting more of an upgrade with HDTV because our SDTV resolution is crap* compared, to UK. Actually, not really. 576/480 = 1.2, whereas 720/(576 * .7) = 1.8 (.7 because of Kell factor). Also, because the 576 countries usually use 50HZ, they need a worse KEll factor blur to avoid worse flicker. I think what Mr. Onella meant by "We are getting more of an upgrade with HDTV" was that 480 - 720 or 1080 is a bigger improvement than 576 - 720 or 1080.... Charlie -- Remove NO-SPOO-PLEASE from my email address to reply Please send no unsolicited email or foodstuffs |
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#250
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On Sun, 28 Aug 2005 17:17:30 +0000 (UTC), "fred_eg_bowinatuck"
wrote: "Max Demian" wrote The very first lander carried a B/W camera. And the image went fuzzy every time anything moved The deicision to use black and white was more to do with bandwidth than cameras! ISTR that the first colour picures from the moon were obtained by putting a spinning 3-colour filter wheel in front of the lens of the monochrome camera. -- Peter Duncanson UK |
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