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#211
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In article , Loz wrote:
Probably very little. The television formats currently being referred to as "high definition" have been around for the past twenty years, and are roughly equivalent to 2 megapixels. Which formats were those? And which broadcaster carried them? I don't know what broadcasts there have been, but plenty of programmes have been made in various high definition formats, two that spring to mind being 1250/50 and 1125/60. I've been seeing them at IBC on and off for many years, and the exhibitors often have lists of programmes and feature films that have used their equipment. It's not new. There were even high definition Plumbicon tube cameras which gave absolutely stunning pictures at the exhibitions, though I did wonder how well they would fare in typical daily broadcast use. I think broadcasters quite often make programmes in new formats experimentally but downconvert them for normal broadcast. Rod. |
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#212
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In article , Java Jive wrote:
.... With lenses by Zeiss. I count myself very lucky to have acquired a 1970 Zeiss calendar advertising their own involvement. It has stunning shots of the earth and moon, including the famous "Earth Rise Over The Moon", and Apollo space craft. You could buy the "Earthrise" picture as a poster at the time (possibly still can), and I had one on the wall in the London flat I lived in at the time. I find it difficult to think of any other single image I've ever seen that has had such an impact. Rod. |
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#213
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"Roderick Stewart" wrote in message om... In article , Java Jive wrote: You could buy the "Earthrise" picture as a poster at the time (possibly still can) and I had one on the wall in the London flat I lived in at the time. Yes, I also STR a lot of students having it at uni ... I find it difficult to think of any other single image I've ever seen that has had such an impact. Absolutely ... |
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#214
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"Roderick Stewart" wrote in message om... Probably very little. The television formats currently being referred to as "high definition" have been around for the past twenty years, and are roughly equivalent to 2 megapixels. Which formats were those? And which broadcaster carried them? I don't know what broadcasts there have been, but plenty of programmes have been made in various high definition formats, two that spring to mind being 1250/50 and 1125/60. I've been seeing them at IBC on and off for many years, and the exhibitors often have lists of programmes and feature films that have used their equipment. It's not new. There were even high definition Plumbicon tube cameras which gave absolutely stunning pictures at the exhibitions, though I did wonder how well they would fare in typical daily broadcast use. I think broadcasters quite often make programmes in new formats experimentally but downconvert them for normal broadcast. But you cannot compare what was used in the "lab" or niche markets to what is used en masse for public broadcasting. The public have not be used to HD for twenty years. As such, it will be a major step forward in quality for them loz |
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#215
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"Roderick Stewart" wrote in message om... In article , Ivan wrote: Maybe. Which reminds me that the moon landing broadcasts that went out on BBC1 would only have been on 405 lines, and I think BBC2 was officially still monochrome until the following Christmas or New Year. Although I'm pretty certain that BBC2 showed a reasonable amount of colour in the late Sixties. The old whisky addled brain is long past its memory peak, but I do seem to recall watching a fair number of imported American 'color' programmes, such as Rowan and Martin's laugh in.. My world and welcome to it.. Wait till your father gets home.. Hondo etc. Also IIRC didn't the BBC receive a fair amount of flak, because they chose to make the Forsyth Saga in black-and-white, at a time when the BBC was actually transmitting programmes in colour! Rod. |
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#216
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AD C wrote:
Can you get HD, CRT T.Vs? I thought they only came in LCD or Plasma. Sure you can get CRT HDTVs, both direct view and projection. However, the projection ones are going the way of dinosaurs, and the larger direct view ones seldom have real, true, pixel-perfect HD resolution, at least at brightness you would use in a room with any light on at all. The current mainstays of HDTV are LCD (both projection, three chips, and direct view), DLP, various forms of LCOS, and plasma. I suspect that in smaller sizes CRT will remain popular for quite a while, albeit at somewhat less than "true" HD resolution for large ones. Doug McDonald |
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#217
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In article , Ivan wrote:
Also IIRC didn't the BBC receive a fair amount of flak, because they chose to make the Forsyth Saga in black-and-white, at a time when the BBC was actually transmitting programmes in colour! It was the last big production in black and white. I don't know the reason for this, but in 1967 the first production studios to be converted to colour, TC6, 7 and 8, would be just being completed and tested, so maybe the BBC didn't think they were ready to undertake something of this size. There's a big difference between transmitting films from a telecine machine or chat programmes from a presentation studio and creating a major multipart drama, particularly if the technology is new and you're not sure of it. Rod. |
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#218
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In article , Loz wrote:
But you cannot compare what was used in the "lab" or niche markets to what is used en masse for public broadcasting. The public have not be used to HD for twenty years. As such, it will be a major step forward in quality for them Yes, if they choose something like 1125/60 (1080 active lines) it will be a major step forward to the picture resolution that is available today on some mobile phones. And whatever technical quality can be achieved by the system, every other programme producer will probably degrade it in an attempt to make it look like cine film. Rod. |
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#219
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"Ivan" wrote
I'm pretty certain that BBC2 showed a reasonable amount of colour in the late Sixties. Colour my life Although limited colour transmissions had started on BBC-2 from 1967, with the channel already on UHF and 625-lines, the main dawning of the colour TV age in Britain came in November 1969, when the colour service started on BBC-1 and ITV, initially in the major English regions. The Forsyte Saga 7/1/1967 http://www.bbc.co.uk/cumbria/competi...yth_saga.shtml http://www.museum.tv/archives/etv/F/...orsytesaga.htm http://www.transdiffusion.org/ident/history/colour/ http://www.bbc.co.uk/bbcfour/tvontri...ine_html.shtml The myth of Forsyth Saga being commissioned in Black and White when BBC was transmitting in colour arose when it was retransmitted! |
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#220
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"Roderick Stewart" wrote
It was the last big production in black and white. It was not until this program that the genre was proven and more money made available for similar projects! |
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