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#41
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Chris J Dixon wrote:
Mark Carver wrote: The audience, 600-700 people were herded in at about 1:00pm. It was freezing cold in there, no warm up man as such, Clarkson came on and did his usual hurling abuse at various targets in the audience for ten minutes, then one of the production team ran through what was going happen. Presumably this is when they select the audience members who are deemed sufficiently photogenic, and are then marshalled to be visible in the background of the set pieces. Yes, of course !! -- Mark Please replace invalid and invalid with gmx and net to reply. www.paras.org.uk |
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#42
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On Mon, 18 Feb 2013 11:39:07 +0000 (GMT), "Dave Plowman (News)"
wrote: I've worked on just about every type of audience show both at the BBC and later Thames TV. I'd say the 'experience' for the studio audience varied dramatically according to the individual show. A well rehearsed one where the talent knew their lines etc well could be ok, but one with constant retakes like watching paint dry. Although, of course, having to work on such things taints my judgement. One with a decent warm up man and a cast etc who make the audience welcome isn't so bad for free - especially for a coach party with drink taken.;-) In other words, the shows that work best for an audience experiencing them in real time, like a theatre show, are the ones that are presented to the audience in real time, like a theatre show. Radio live audence shows can work a lot better than TV, because there are no prop or costume changes, and the performers can have their scripts in front of them, so there's no need for a well prepared performance to stop till the end. I recall going with a bunch of TV colleagues to several recording sessions for ISIRTA, which usually ran without any stops or pauses for about 40 minutes to make a 30 minute broadcast, so we always felt that we'd got more by being there. And it was actually funny. This was before the age of the internet of course, when it was still possible for carefully managed PR to spread faster than the truth, but somehow they're still getting away with it. I wouldn't be interested in doing anything for a TV show unless they paid me to be there. There's still no problem getting audiences for such shows. I have a pal who loves going to as many as he can - and often has to enter a ballot for tickets. I know. Depressing isn't it? If only they knew. Rod. |
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#43
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Martin wrote:
Quite so. But I'd prefer the programs to be funny enough that I laugh without that. -- Richard Programs aren't usually funny are they? Not that I know much about computers. Bill Pedant: 1 Rest: 0 A pedant is a person who is excessively concerned with formalism and precision. It isn't pedantry to point out a gross error, for instance when the use of an incorrect word has made complete nonsense of something. To not point it out would be unkind, because it would allow the perpetrator to continue displaying his ignorance. Bill |
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#44
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On Sat, 16 Feb 2013 20:23:59 +0000, Ian Jackson
wrote: Despite this, there was lots of loud laughter at nearly everything the three 'stars' said. One can only assume that Top Gear has become yet another victim of the BBC's canned laughter department. That's been going on for a while with TG. Oftentimes I've observed the audience who, by the sound they were just making on the audio track, should have been rolling around the floor wetting themselves. Nothing, nada, not a grin cracked anywhere. |
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#45
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"Bill Wright" wrote in message ... Martin wrote: Quite so. But I'd prefer the programs to be funny enough that I laugh without that. -- Richard Programs aren't usually funny are they? Not that I know much about computers. Bill Pedant: 1 Rest: 0 A pedant is a person who is excessively concerned with formalism and precision. It isn't pedantry to point out a gross error, for instance when the use of an incorrect word has made complete nonsense of something. To not point it out would be unkind, because it would allow the perpetrator to continue displaying his ignorance. Bill 1 Martin 0 -- JohnT |
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#46
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JohnT wrote:
Quite so. But I'd prefer the programs to be funny enough that I laugh without that. -- Richard Programs aren't usually funny are they? Not that I know much about computers. Bill Pedant: 1 Rest: 0 A pedant is a person who is excessively concerned with formalism and precision. It isn't pedantry to point out a gross error, for instance when the use of an incorrect word has made complete nonsense of something. To not point it out would be unkind, because it would allow the perpetrator to continue displaying his ignorance. Bill 1 Martin 0 Especially as I found a gently humorous way to bring his error to his attention, rather than resorting to sarcasm or similar abuse. That's me all over you see, kind and thoughtful, always ready to help my fellow man in any way possible. Oh I am lovely! No |
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#47
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Grimly Curmudgeon Wrote in message:
On Sat, 16 Feb 2013 20:23:59 +0000, Ian Jackson wrote: Despite this, there was lots of loud laughter at nearly everything the three 'stars' said. One can only assume that Top Gear has become yet another victim of the BBC's canned laughter department. That's been going on for a while with TG. Oftentimes I've observed the audience who, by the sound they were just making on the audio track, should have been rolling around the floor wetting themselves. Nothing, nada, not a grin cracked anywhere. There's nothing like discontinuous recording for killing the mood of the audience. It would be interesting to know, but I'd guess they rarely if ever do Top Gear in one straight run. I can't see people like Lewis Hamilton hanging around in what after all would be an aircraft hangar side-office. I'd also guess TG is done a bit like TOTP used to be - minimum audience number necessary for the wide shots - as that would be the easiest to floor manage. You'd like to hope they show the inserts in their entirety, but again, it must be really tempting to spin through and just do the studio links. I haven't seen evidence of other than small courtesy monitors, and if that's all there are, keeping the audience enthused must be hard. I think the set is rather tired and could do with a revamp, not least to improve the audience experience. -- a sig ----Android NewsGroup Reader---- http://www.piaohong.tk/newsgroup |
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#48
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On Mon, 18 Feb 2013 20:38:27 +0000, Grimly Curmudgeon
wrote: On Sat, 16 Feb 2013 20:23:59 +0000, Ian Jackson wrote: Despite this, there was lots of loud laughter at nearly everything the three 'stars' said. One can only assume that Top Gear has become yet another victim of the BBC's canned laughter department. That's been going on for a while with TG. Oftentimes I've observed the audience who, by the sound they were just making on the audio track, should have been rolling around the floor wetting themselves. Nothing, nada, not a grin cracked anywhere. I've long since lost interest in TG. It might be better showing it on Cbeebies. -- (\__/) M. (='.'=) If a man stands in a forest and no woman is around (")_(") is he still wrong? |
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#49
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On Tue, 19 Feb 2013 10:19:09 +0000 (GMT), nospam
wrote: Grimly Curmudgeon Wrote in message: On Sat, 16 Feb 2013 20:23:59 +0000, Ian Jackson wrote: Despite this, there was lots of loud laughter at nearly everything the three 'stars' said. One can only assume that Top Gear has become yet another victim of the BBC's canned laughter department. That's been going on for a while with TG. Oftentimes I've observed the audience who, by the sound they were just making on the audio track, should have been rolling around the floor wetting themselves. Nothing, nada, not a grin cracked anywhere. There's nothing like discontinuous recording for killing the mood of the audience. It would be interesting to know, but I'd guess they rarely if ever do Top Gear in one straight run. I can't see people like Lewis Hamilton hanging around in what after all would be an aircraft hangar side-office. Don't they have luxury trailers (caravans) for the presenters and top-grade guests? This is just one example of the type of vehicle available. http://www.on-set.com/vehicles.php?id=6# From: http://www.on-set.com/index.php I'd also guess TG is done a bit like TOTP used to be - minimum audience number necessary for the wide shots - as that would be the easiest to floor manage. You'd like to hope they show the inserts in their entirety, but again, it must be really tempting to spin through and just do the studio links. I haven't seen evidence of other than small courtesy monitors, and if that's all there are, keeping the audience enthused must be hard. I think the set is rather tired and could do with a revamp, not least to improve the audience experience. -- Peter Duncanson (in uk.tech.digital-tv) |
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#50
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On Tue, 19 Feb 2013 12:38:18 +0100, Martin wrote:
On Tue, 19 Feb 2013 10:39:40 +0000, Mark wrote: On Mon, 18 Feb 2013 20:38:27 +0000, Grimly Curmudgeon wrote: On Sat, 16 Feb 2013 20:23:59 +0000, Ian Jackson wrote: Despite this, there was lots of loud laughter at nearly everything the three 'stars' said. One can only assume that Top Gear has become yet another victim of the BBC's canned laughter department. That's been going on for a while with TG. Oftentimes I've observed the audience who, by the sound they were just making on the audio track, should have been rolling around the floor wetting themselves. Nothing, nada, not a grin cracked anywhere. I've long since lost interest in TG. It might be better showing it on Cbeebies. or between 3 am and 4 am. I hope the toddlers are asleep at that time. -- (\__/) M. (='.'=) If a man stands in a forest and no woman is around (")_(") is he still wrong? |
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