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#1
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I watched the 3D Olympic highlights on BBC HD this evening. I was not
surprised to be unimpressed. As with the 3D cinema films I've seen, the objects appeared at different depths, but had no noticable depth themselves, giving the impression that the people were cardboard cutouts moved in front of flat backgrounds. I'm not sure what causes this - perhaps there is effectively very low resolution in the depth. More bizarre was the kayak slalom, where the poles seemed to be at peculiar depths. Often when a kayaker (if that's the word) approached a pole he would appear to be on one side of it, but when he passed it it would become apparent that he was on the other side. The effect was somewhat Escher-esque. A friend who watched it with me noticed the same effects, so it's not just my eyes. -- Richard |
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#2
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On 30/07/2012 04:13, Richard Tobin wrote:
I watched the 3D Olympic highlights on BBC HD this evening. I was not surprised to be unimpressed. As with the 3D cinema films I've seen, the objects appeared at different depths, but had no noticable depth themselves, giving the impression that the people were cardboard cutouts moved in front of flat backgrounds. I'm not sure what causes this - perhaps there is effectively very low resolution in the depth. More bizarre was the kayak slalom, where the poles seemed to be at peculiar depths. Often when a kayaker (if that's the word) approached a pole he would appear to be on one side of it, but when he passed it it would become apparent that he was on the other side. The effect was somewhat Escher-esque. A friend who watched it with me noticed the same effects, so it's not just my eyes. -- Richard Some people cannot see the stereo effect at all. My wife is one of them. |
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#4
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On 30/07/2012 09:05, Brian Gaff wrote:
Well when I could see I had one of those 3D binocular photo viewers, and those had the cardboard cut out effect as well. My feeling on a lot of it is that the spacing of the lenses and the amount of telephoto used on a given picture has a great effect on the appearence of depth information. Unfortunately when looking at where cameras have to be in sports events etc, its probably an unavoidable side effect unless some kind of digital enhancement can be used to make it look more natural. Brian It's the same with binoculars, especially the compact ones with objectives closer than the eyepieces. How far apart are the camera lenses? It would seem that the telephoto shots would need more separation so that the apparent angle at the effective distance is about 10cm. -- Pete Lose (rhymes with fuse) is a verb, the opposite of find. Loose (rhymes with juice) is an adjective, the opposite of tight. |
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#5
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Richard Tobin wrote:
I watched the 3D Olympic highlights on BBC HD this evening. I was not surprised to be unimpressed. As with the 3D cinema films I've seen, the objects appeared at different depths, but had no noticable depth themselves, giving the impression that the people were cardboard cutouts moved in front of flat backgrounds. I'm not sure what causes this - perhaps there is effectively very low resolution in the depth. Sometimes referred to as the puppet theatre effect. I haven't been very conscious of this myself with the Olympic 3D material, but think it can happen with telephoto shots if the 3D perspective is exaggerated and the resolution is insufficient. More bizarre was the kayak slalom, where the poles seemed to be at peculiar depths. Often when a kayaker (if that's the word) approached a pole he would appear to be on one side of it, but when he passed it it would become apparent that he was on the other side. The effect was somewhat Escher-esque. Curiously enough, I watched and recorded some of the 3D highlights when they were repeated this morning, and thought that the canoe slalom material was particularly effective. I think I can see what you mean about the poles. Certainly the canoeists didn't always pass the poles on the side that I was expecting. Obviously much depends on the nature of the material and the way it has been handled. I think the 3D title sequences are just brilliant :-) |
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#6
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Yes, I can imagine walking about with a camera with lenses that slide apart
as you zoom. I do remember binoculars back in the 80s doing this. Sitting on a cliff top in Guernsey looking at the comings and goings at St Peter Port harbour, all the ferries looked like cardboard cutouts. Brian -- Brian Gaff....Note, this account does not accept Bcc: email. graphics are great, but the blind can't hear them Email: __________________________________________________ __________________________________________________ __________ "Pete Shew" wrote in message o.uk... On 30/07/2012 09:05, Brian Gaff wrote: Well when I could see I had one of those 3D binocular photo viewers, and those had the cardboard cut out effect as well. My feeling on a lot of it is that the spacing of the lenses and the amount of telephoto used on a given picture has a great effect on the appearence of depth information. Unfortunately when looking at where cameras have to be in sports events etc, its probably an unavoidable side effect unless some kind of digital enhancement can be used to make it look more natural. Brian It's the same with binoculars, especially the compact ones with objectives closer than the eyepieces. How far apart are the camera lenses? It would seem that the telephoto shots would need more separation so that the apparent angle at the effective distance is about 10cm. -- Pete Lose (rhymes with fuse) is a verb, the opposite of find. Loose (rhymes with juice) is an adjective, the opposite of tight. |
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#7
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In article , John
Legon wrote: Richard Tobin wrote: I watched the 3D Olympic highlights on BBC HD this evening. I was not surprised to be unimpressed. As with the 3D cinema films I've seen, the objects appeared at different depths, but had no noticable depth themselves, giving the impression that the people were cardboard cutouts moved in front of flat backgrounds. I'm not sure what causes this - perhaps there is effectively very low resolution in the depth. Sometimes referred to as the puppet theatre effect. I haven't been very conscious of this myself with the Olympic 3D material, but think it can happen with telephoto shots if the 3D perspective is exaggerated and the resolution is insufficient. How far apart are the lenses on the 3D cameras? Presumably that would let us know the distances at which a point shifts sideways by one pixel in the two pixel-arrays. Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
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#8
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On Mon, 30 Jul 2012 10:52:56 +0100
Pete Shew wrote: On 30/07/2012 09:05, Brian Gaff wrote: Well when I could see I had one of those 3D binocular photo viewers, and those had the cardboard cut out effect as well. My feeling on a lot of it is that the spacing of the lenses and the amount of telephoto used on a given picture has a great effect on the appearence of depth information. Unfortunately when looking at where cameras have to be in sports events etc, its probably an unavoidable side effect unless some kind of digital enhancement can be used to make it look more natural. Brian It's the same with binoculars, especially the compact ones with objectives closer than the eyepieces. How far apart are the camera lenses? It would seem that the telephoto shots would need more separation so that the apparent angle at the effective distance is about 10cm. Ah, memories of Viewmaster! I still remember seeing The Canadian Rockies for the first time through one of them. -- Davey. -- Davey. |
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#9
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"mikeos" wrote in message ... On 30/07/2012 04:13, Richard Tobin wrote: I watched the 3D Olympic highlights on BBC HD this evening. I was not surprised to be unimpressed. As with the 3D cinema films I've seen, the objects appeared at different depths, but had no noticable depth themselves, giving the impression that the people were cardboard cutouts moved in front of flat backgrounds. I'm not sure what causes this - perhaps there is effectively very low resolution in the depth. More bizarre was the kayak slalom, where the poles seemed to be at peculiar depths. Often when a kayaker (if that's the word) approached a pole he would appear to be on one side of it, but when he passed it it would become apparent that he was on the other side. The effect was somewhat Escher-esque. A friend who watched it with me noticed the same effects, so it's not just my eyes. -- Richard Some people cannot see the stereo effect at all. My wife is one of them. Do both her eyes work? |
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#10
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In article ,
Jim Lesurf wrote: How far apart are the lenses on the 3D cameras? Presumably that would let us know the distances at which a point shifts sideways by one pixel in the two pixel-arrays. As font antialising shows, we can interpret intermediate levels to resolve an edge to better than pixel resolution, so it shouldn't be quite that bad. But of course we are looking at a lossily-compressed image. -- Richard |
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