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#241
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"Rob" wrote in message
eb.com... On 11/11/2011 13:31, David Looser wrote: wrote But I think everyone would agree analogue and digital sound different. That's a *very* simplistic statement. Are you suggesting that *all* analogue* differs from *all* digital in a similar way? How about the differences between different analogue systems? do you think that these differences are smaller than the differences between the best analogue and digital systems? How about the differences between CD and mp3 audio? how do they fit into your "logic"? David. No, not all. I've had to generalise a bit. Even i have had experiences where digital sounds better than analogue. Gosh, really, well well! You didn't "generalise a bit", you came up with an utterly meaningless statement. You simply cannot lump "analogue" into one basket and "digital" into another and make generalised statements about them. Different analogue systems simply do not sound the same, and those differences dwarf the differences between the best analogue and digital. David. |
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#242
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"Rob" wrote
Yes, I'd agree to a point, although I wouldn't use the the word 'flaw' - more a characteristic, We use the words "flaw", or "impairment" because that's what we are talking about. Recording systems shouldn't have audible "characteristics", their job is to reproduce what was fed into them as accurately as possible. Anything short of perfect accuracy is a "flaw". and I think some people (me for example) could hear a difference in what, technically (basically, measured as beyond the limits of hearing) is identical. Do you? really? Its easily possible to measure differences that are inaudible, its not possible to hear differences that cannot be measured. David. |
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#243
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"Rob" wrote
But I would like to know more about the basis of my preference. You've just given it to us, "I suspect there's an element of sentimentality/nostalgia. Perhaps some degree of physiological explanation - my hearing maybe. I also enjoy the physical media" Apart from your hearing, which I doubt is as "special" as you'd like to believe, you've explained it. Its all about nostalgia and a liking for the physical object of the LP. But you've then decided that you need a more "respectable" reason to prefer vinyl, so have persuaded yourself that vinyl sounds "better", and ,since you now believe that, it does, to you. David. |
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#244
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In article , Don Pearce
wrote: lousy enough, tape probably won't make it much worse. OK, we know that a really good pro tape machine is a great deal better than LP. IIRC It was CBS who once published JAES papers on the measurable and audible degredations caused by the steps between the tape and the final LP due to the limitations of the various cutting and electroplating processes. Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
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#245
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In article , Steve Thackery
wrote: Rob wrote: It's mildly annoying that quite a few here can't accept that I prefer analogue. WRONG!! Everybody accepts that you prefer analogue. The issue is your redefinition of "better" to mean "I prefer". You must have been told this at least a dozen times in this thread by now. It's very strange that you can't get it. Is this a wilfull misunderstanding, I wonder? To me it looks more like Rob has adopted the Tweedledee/Tweedledum appoach to thinking. Words mean whatever *he* decides they mean, regardless of any concern that their meaning has to be agreed and shared for communication with others to be possible. So he ends up arguing about words, rather than communicate. Leaves me wondering what the state of broadcasting and recording would be if we had to leave the design and use of all the equipment to philosophers and sages rather than engineers. Oh, hang on, I think the BBC and recording companies are giving this idea a try... :-) Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
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#246
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In article om, Rob
scribeth thus On 11/11/2011 12:34, tony sayer wrote: But I think everyone would agree analogue and digital sound different. it's the same music - original master. Well be more specific then;!. Take the output off the mixing desk which if course can be a good ole Neve of several years vintage with discrete input stages or a new up to the moment SSL desk and what do you call those analogue or digital;?.. Then that audio before it gets to an amp has to be an analogue signal unless your going to have yet another digital decode in that amp and the master what do you specify that as an analogue Studer at 30 IPS with Dolby SR or an up to the moment digital recorder dumping it all onto a digital card?... It's just fed to us differently. Isn't it;!... Well, by 'fed' I mean methods of replay, and therefore media. It's all from the same source, at the end of the day. Just one is better than the other, in my opinion. Er, preference :-) Rob Well now where do you want to start in all this and where is the demarcation line and where does the analogue get to digital and thats got to be analogue in the mic to start with unless someone's made a digital one now;?... -- Tony Sayer |
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#247
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In article , Dave Plowman (News)
scribeth thus In article , Andy Champ wrote: If you're going to say that a CD is a better reproduction of the original than an LP, then I'd agree almost always. (I have one exception, and that is a mixing cockup caused by a 1990s producer "sensitively remastering" a 1960s recording to make the drums much louder - and even that is an artistic not a technical error) What I want to hear at home is the studio master as signed off by the production team. LPs *had* to go through an additional mastering process since not everything that could be recorded well to tape would cut perfectly. Yes who invented the *phrase.. "Any fool can put anything onto a tape, but it takes a master to put the tape onto the disc" Although one would hope a production team would know this and not allow anything through that required drastic change. CD, of course, can reproduce perfectly anything a tape can throw at it. In the early days of CD, the studio master was more or less just transferred to CD straight. If the LP had lots of tweaks when being re-mastered, that could account for a difference in sound not accounted for just by the inherent LP flaws. And since you knew and loved the LP before hearing the CD... These days CDs are also heavily re-mastered. To make the studio master more 'commercial'. Regardless of what the production team or even artists want. The suits rule as always. * Well as near as dammit;!.. -- Tony Sayer |
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#248
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"Andy Champ" wrote
On the other hand if you are going to say that all digital is better than all analogue _then_ I'll disagree. Did anyone say that, or anything like it? I think not. David. |
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#249
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Jim Lesurf wrote:
To me it looks more like Rob has adopted the Tweedledee/Tweedledum appoach to thinking. Words mean whatever *he* decides they mean, regardless of any concern that their meaning has to be agreed and shared for communication with others to be possible. So he ends up arguing about words, rather than communicate. Spot on! -- SteveT |
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#250
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On 12/11/2011 10:04, David Looser wrote:
wrote in message eb.com... On 11/11/2011 13:31, David Looser wrote: wrote But I think everyone would agree analogue and digital sound different. That's a *very* simplistic statement. Are you suggesting that *all* analogue* differs from *all* digital in a similar way? How about the differences between different analogue systems? do you think that these differences are smaller than the differences between the best analogue and digital systems? How about the differences between CD and mp3 audio? how do they fit into your "logic"? David. No, not all. I've had to generalise a bit. Even i have had experiences where digital sounds better than analogue. Gosh, really, well well! :-) You didn't "generalise a bit", you came up with an utterly meaningless statement. You simply cannot lump "analogue" into one basket and "digital" into another and make generalised statements about them. Different analogue systems simply do not sound the same, and those differences dwarf the differences between the best analogue and digital. Well of course, it's a gross generalisation both in media and hardware. But in general, I'm talking about CD and 'decent' (properly set up) LP, and as near as can be reckoned, similar mastering techniques. Rob |
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