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#31
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On 2009-10-03, Bill Wright wrote:
"Ivan" wrote in message ... Peter Watson wrote: Lee Soft or Promist by the look of it Cheers, a quick google told me everything I wanted to know.. http://www.tiffen.com/promist.htm. Funny that, because normally you look at an advert and the 'before' picture is crap and the 'after' picture is good, but on there it's the other way round. I thought the same... then wondered how their picture-destroying filter also managed to move the subject around, in the first three pictures at least. -- David Taylor |
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#32
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In message , Mike Henry
writes Couple that philosophy with the idiots that like to chuck away every other field in the name of 'art', and we're buggered ? These days you don't even need to throw it away - all you need to do is shoot at 25p Er yes, and that misses the whole point! It's not about how you arrive at 25 frames/sec which is half the temporal resolution we should be getting. It's the fact that our TVs are capable of beautifully smooth 50Hz motion, but the cretins are trying to make that a thing of the past and only give us 25Hz motion. I fully understand that, thank you - but you no longer have to throw anything away - just not record it in the first place. I understand that also, thanks :-). It still leaves us with the idiots who want to show us low temporal resolution 25Hz motion when we should be getting double that temporal resolution motion, ie 50 different pictures every second. There's a perception amongst certain groups that because flim is shot at 25fps (for telly anyway) and is a higher cost option, that only things of higher quality are afforded that expense. As a result they infer that if ordinary telly is shot in the same manner (25fps), that some people will be conned into thinking that the product is of higher quality that it really is. This leads to the requirement to shutter cameras at 1/50 to reduce motion blur (I once gave up trying to explain to an idiot about 180 degree shutters and how they affect the way flim is shot (and indeed he took some convincing that the image on the retina was in fact inverted)), and then to doubling the light levels or opening up a stop. If the latter cue complaining that it's really hard to keep focus. -- "All religions bear traces of the fact that they arose during the intellectual immaturity of the human race, before it had learned the obligations to speak the truth. Not one of them makes it the duty of its God to be truthful and understandable in his communications" - Friedrich Nietzsche |
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#33
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Paul Heslop wrote:
Ivan wrote: I tuned in to the Jonathan Ross interview with Barbara Streisand on BBC one Freesat this evening and noticed that the picture quality was unusually soft and lacking in the usual detail for this program, switched over to HD on chan 108 and even in HD I don't think it looked near as good as the Ross show usually looks, even in standard definition, I have my own thoughts on this, however any clues anyone? yes, soft focus Barbaravision Star Trek (classic) vision? BugBear |
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#34
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Watch 5 seconds - irritating - stopped the recording and watched something
else. He needs more interesting guests I think "Ivan" wrote in message ... I tuned in to the Jonathan Ross interview with Barbara Streisand on BBC one Freesat this evening and noticed that the picture quality was unusually soft and lacking in the usual detail for this program, switched over to HD on chan 108 and even in HD I don't think it looked near as good as the Ross show usually looks, even in standard definition, I have my own thoughts on this, however any clues anyone? |
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#35
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Graham. wrote: I tuned in to the Jonathan Ross interview with Barbara Streisand on BBC one Freesat this evening and noticed that the picture quality was unusually soft and lacking in the usual detail for this program, switched over to HD on chan 108 and even in HD I don't think it looked near as good as the Ross show usually looks, even in standard definition, I have my own thoughts on this, however any clues anyone? Probably has a clause in her contract or something. I saw something with Angela Lansbury, Murder she wrote probably, all the close-ups of her were soft-focus and all other shots, cut-aways or even 2-shots that included her, were shot without the filter. The end result, to my eyes looked silly. Wasn't it Ann Robinson who always insisted on an up-pointing camera headlamp to disguise the wrinkly neck? Mike |
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#36
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"m" wrote in message ... Graham. wrote: I tuned in to the Jonathan Ross interview with Barbara Streisand on BBC one Freesat this evening and noticed that the picture quality was unusually soft and lacking in the usual detail for this program, switched over to HD on chan 108 and even in HD I don't think it looked near as good as the Ross show usually looks, even in standard definition, I have my own thoughts on this, however any clues anyone? Probably has a clause in her contract or something. I saw something with Angela Lansbury, Murder she wrote probably, all the close-ups of her were soft-focus and all other shots, cut-aways or even 2-shots that included her, were shot without the filter. The end result, to my eyes looked silly. Wasn't it Ann Robinson who always insisted on an up-pointing camera headlamp to disguise the wrinkly neck? Goes with her winkley eye. -- Graham. %Profound_observation% |
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