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#1
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I've been too busy to watch TV recently, so maybe I'd forgotten how
bad it could look, but... I had chance to catch the last episode of Mountain on Sunday night, and saw some of Dance X (?) the night before. I enjoyed Mountain. Not too much distracting "filmic effect" (only on a few shots), and only the MPEG encoding of moving fine details let it down. Great programme. However, Dance X... isn't the picture quality shocking? It seems ~5Mbps MPEG-2 just can't cope with flashing lights, fast movement, detail and smooth gradients on screen at the same time etc. In the PAL days, even in "component" studios, people monitored a composite PAL version to see what it would look like at home. That way, they could avoid including fine detail that was simply going to be lost in cross-colour artefacts. Yet now, in these "MPEG-2" days, no attempt is made to avoid content that stands no chance of surviving MPEG-2 encoding. It must look great in the production gallery - but if it was possible to feed a synchronised MPEG-2 encoded version to a big screen in the gallery (impossible because of the encoding/decoding delay), I bet some different decisions would be made. It would be interesting to compare the raw uncompressed version with what reaches the home. In fact, I wish someone would force some BBC execs to sit down and watch this comparison to realise what a problem they have. (and hit any of them who mentioned a "competitive multi-channel environment" or "ITV looks even worse") Cheers, David. |
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#2
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wrote in message ps.com... I've been too busy to watch TV recently, so maybe I'd forgotten how bad it could look, but... I had chance to catch the last episode of Mountain on Sunday night, and saw some of Dance X (?) the night before. I enjoyed Mountain. Not too much distracting "filmic effect" (only on a few shots), and only the MPEG encoding of moving fine details let it down. Great programme. However, Dance X... isn't the picture quality shocking? It seems ~5Mbps MPEG-2 just can't cope with flashing lights, fast movement, detail and smooth gradients on screen at the same time etc. Perhaps you need a better telly, it looks fine on mine, a Thompson. In the PAL days, even in "component" studios, people monitored a composite PAL version to see what it would look like at home. That way, they could avoid including fine detail that was simply going to be lost in cross-colour artefacts. Yet now, in these "MPEG-2" days, no attempt is made to avoid content that stands no chance of surviving MPEG-2 encoding. It must look great in the production gallery - but if it was possible to feed a synchronised MPEG-2 encoded version to a big screen in the gallery (impossible because of the encoding/decoding delay), I bet some different decisions would be made. It would be interesting to compare the raw uncompressed version with what reaches the home. In fact, I wish someone would force some BBC execs to sit down and watch this comparison to realise what a problem they have. (and hit any of them who mentioned a "competitive multi-channel environment" or "ITV looks even worse") Cheers, David. |
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#3
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On Aug 28, 3:28 pm, "Lord Turkey Cough" wrote:
Perhaps you need a better telly, it looks fine on mine, a Thompson. You normally take the pee, not insert it. |
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#4
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"Mark Carver" wrote in message
oups.com... On Aug 28, 3:28 pm, "Lord Turkey Cough" wrote: Perhaps you need a better telly, it looks fine on mine, a Thompson. You normally take the pee, not insert it. Can I have a "P" please Bob? (kim) |
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#5
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In article .com, Mark
Carver scribeth thus On Aug 28, 3:28 pm, "Lord Turkey Cough" wrote: Perhaps you need a better telly, it looks fine on mine, a Thompson. You normally take the pee, not insert it. Perhaps that Thompson is good at hiding the digital deficiency;!... -- Tony Sayer |
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#6
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"Edster" wrote in message ... snip Like all the other UK broadcasters at the moment, the BBC seems to be trying to shed as many viewers as possible, with low quality and coming next banners all over the place. Presumably when only the blind are the only viewers left they will be able to save lots of money on costume dramas or whatever. Hmm, if TV was more like 'radio with pictures' I suspect that there would be far less style and more substance to the programmes... -- Jerry - on an different NNTP server. Someone managed to break the other one! |
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#7
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#8
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In message
"Lord Turkey Cough" wrote: wrote in message ps.com... I've been too busy to watch TV recently, so maybe I'd forgotten how bad it could look, but... I had chance to catch the last episode of Mountain on Sunday night, and saw some of Dance X (?) the night before. I enjoyed Mountain. Not too much distracting "filmic effect" (only on a few shots), and only the MPEG encoding of moving fine details let it down. Great programme. However, Dance X... isn't the picture quality shocking? It seems ~5Mbps MPEG-2 just can't cope with flashing lights, fast movement, detail and smooth gradients on screen at the same time etc. Perhaps you need a better telly, it looks fine on mine, a Thompson. There's no such make. -- Richard L. |
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#9
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On 28 Aug, 22:16, Paul Ratcliffe
wrote: On Tue, 28 Aug 2007 03:19:53 -0700, wrote: However, Dance X... isn't the picture quality shocking? It seems ~5Mbps MPEG-2 just can't cope with flashing lights, fast movement, detail and smooth gradients on screen at the same time etc. You are surprised? That the technology can't cope at that bitrate? No. That someone tries to broadcast that content at that bitrate? Well, yes. Even now, I find it unbelievable. I'm watching on a nice CRT - goodness knows how bad it looks on most modern flat panels. It would be interesting to compare the raw uncompressed version with what reaches the home. In fact, I wish someone would force some BBC execs to sit down and watch this comparison to realise what a problem they have. It looks great on a 2" screen though. What's yer problem? Why don't you get the hi-def version if you want qwality? I'm sure that's where we're heading. The main problem with that is that lots of content won't be on the HD channel, leaving the increasingly bitstarved SD channel as the only source. If the BBC said "we'll simulcast all our channels in HD on DSat and leave DTT for portable TVs" that would be fine. Unfortunately, it has as much chance of happening as "we'll simulcast all our radio stations in high bitrates on DSat, leaving DAB for portable radios". This would be a technically sensible solution, but would show the bandwidth limited platforms up as the second class systems that they are. The BBC couldn't possibly have that, so will instead limit what's available on all platforms, so as not to outshine the worst. Maybe I'm being too cynical - to be this scheming implies that someone in charge understands and appreciates technical quality issues. I doubt this is the case. Cheers, David. |
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#10
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"Paul Ratcliffe" wrote in message ... On Tue, 28 Aug 2007 03:19:53 -0700, wrote: However, Dance X... isn't the picture quality shocking? It seems ~5Mbps MPEG-2 just can't cope with flashing lights, fast movement, detail and smooth gradients on screen at the same time etc. You are surprised? It would be interesting to compare the raw uncompressed version with what reaches the home. In fact, I wish someone would force some BBC execs to sit down and watch this comparison to realise what a problem they have. It looks great on a 2" screen though. What's yer problem? Why don't you get the hi-def version if you want qwality? Do broadcasters still put a line of colour bars in the vertical interval? I'm sure they all used to do this last time I checked (early 90's) and often had a 2T pulse too. Graham Harvest |
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