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#1
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Will someone please tell me what NTSC stands for?
alkem |
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#2
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Will someone please tell me what NTSC stands for? alkem No ... http://en.wikipedia.org/wiki/NTSC |
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#4
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On Fri, 27 Apr 2007, Peter H. Coffin wrote:
Will someone please tell me what NTSC stands for? Never Twice Same Color A silly joke which ceased to be value about 30 years ago. -- Mark -- http://panda.com/mrc Democracy is two wolves and a sheep deciding what to eat for lunch. Liberty is a well-armed sheep contesting the vote. |
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#5
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"Peter*H.*Coffin" wrote:
"Mark Crispin" wrote: "Peter H. Coffin" wrote: Will someone please tell me what NTSC stands for? Never Twice Same Color A silly joke which ceased to be value about 30 years ago. And what's *your* point? And what's *your* point about his point? |
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#6
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On Fri, 27 Apr 2007, Teeda wrote:
"PeterÂ*H.Â*Coffin" wrote: "Mark Crispin" wrote: "Peter H. Coffin" wrote: Will someone please tell me what NTSC stands for? Never Twice Same Color A silly joke which ceased to be value about 30 years ago. And what's *your* point? And what's *your* point about his point? More importantly, the original poster asked an innocent question of what NTSC stood for. The question should have been answered, rather than making a joke which a great many newsgroup readers wouldn't even understand as it refers to the state of technology before they were born. Furthermore, it perpetuates the myth that, somehow, PAL is "better" and the Europeans have been enjoying "better" quality analog TV video than we have. The television systems (note the plural) most frequently used with PAL have more scan lines, but at the terrible cost of a 50Hz refresh rate. PAL color itself is inferior to NTSC in any modern analog equipment. The phase shift was a clever hack for the instability of 1960s vacuum tube front ends, but with anything made in the past 30 years it is simply a burden on the signal that reduces color resolution. One of the great absurdities of world TV is something called PAL-M in South America. PAL-M uses PAL color on top of television system M (which is the only television system used with NTSC color). -- Mark -- http://staff.washington.edu/mrc Science does not emerge from voting, party politics, or public debate. Si vis pacem, para bellum. |
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#7
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Elmo P. Shagnasty wrote:
In article , Mark Crispin wrote: The question should have been answered, rather than making a joke which a great many newsgroup readers wouldn't even understand as it refers to the state of technology before they were born. That's THEIR problem. Exactly. The Civil War happened before any of us here today were born. Back to the subject: I was in high school when the FCC approved the RCA NTSC color system over the competing CBS system. I am not an electronic engineer by any means but I understood the concepts enough to realize it was a lot of compromise with the color to get it all into those existing 6 MHz bands and also have black and white compatibility. What I don't understand at all is how the manufacturers were (circa 1980?) able to greatly improve the color and stop all the crappy color bleed and herringbone that we suffered through the first 20, or so, years. Any expert here that can help me understand that? |
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#8
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"Mark Crispin" wrote in message ... On Fri, 27 Apr 2007, Teeda wrote: "Peter H. Coffin" wrote: "Mark Crispin" wrote: "Peter H. Coffin" wrote: Will someone please tell me what NTSC stands for? Never Twice Same Color A silly joke which ceased to be value about 30 years ago. And what's *your* point? And what's *your* point about his point? More importantly, the original poster asked an innocent question of what NTSC stood for. The question should have been answered, rather than making a joke which a great many newsgroup readers wouldn't even understand as it refers to the state of technology before they were born. Furthermore, it perpetuates the myth that, somehow, PAL is "better" and the Europeans have been enjoying "better" quality analog TV video than we have. The television systems (note the plural) most frequently used with PAL have more scan lines, but at the terrible cost of a 50Hz refresh rate. *************************** Maybe you know offhand, but I seem to recall that the 625 line PAL also requires more bandwidth; like 7 MHz channel spacing. I think SECAM is 8 MHz. Tam, ***************************** PAL color itself is inferior to NTSC in any modern analog equipment. The phase shift was a clever hack for the instability of 1960s vacuum tube front ends, but with anything made in the past 30 years it is simply a burden on the signal that reduces color resolution. One of the great absurdities of world TV is something called PAL-M in South America. PAL-M uses PAL color on top of television system M (which is the only television system used with NTSC color). -- Mark -- http://staff.washington.edu/mrc Science does not emerge from voting, party politics, or public debate. Si vis pacem, para bellum. |
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#9
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Sam Spade wrote: Back to the subject: I was in high school when the FCC approved the RCA NTSC color system over the competing CBS system. I am not an electronic engineer by any means but I understood the concepts enough to realize it was a lot of compromise with the color to get it all into those existing 6 MHz bands and also have black and white compatibility. What I don't understand at all is how the manufacturers were (circa 1980?) able to greatly improve the color and stop all the crappy color bleed and herringbone that we suffered through the first 20, or so, years. Any expert here that can help me understand that? Simple. The availability of low cost, high performance transistors, integrated circuits, and advanced filter technologies. They replaced a dozen or so vacuum tubes with marginal performance and capability to do the job with a few thousand or so integrated transistors with superior performance and capabilities. They replaced filters made with coils and capacitors, with advanced acoustic surface wave filters with superior performance. Further, they replaced circuits designed using slide rules, pencils, and paper, with ones designed using advanced digital computers and circuit emulation techniques. Oh, and they did this all at a reduced cost. In a word, technology made great advances. |
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#10
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On Apr 27, 3:55 pm, Sam Spade wrote:
Elmo P. Shagnasty wrote: In article , Mark Crispin wrote: The question should have been answered, rather than making a joke which a great many newsgroup readers wouldn't even understand as it refers to the state of technology before they were born. That's THEIR problem. Exactly. The Civil War happened before any of us here today were born. Back to the subject: I was in high school when the FCC approved the RCA NTSC color system over the competing CBS system. I am not an electronic engineer by any means but I understood the concepts enough to realize it was a lot of compromise with the color to get it all into those existing 6 MHz bands and also have black and white compatibility. What I don't understand at all is how the manufacturers were (circa 1980?) able to greatly improve the color and stop all the crappy color bleed and herringbone that we suffered through the first 20, or so, years. Any expert here that can help me understand that? Enter the 2 and better yet, 3 line comb filters. The excessively crappy look of any composite video source has to do with separating the chroma from the luma. Initially it was done with the most practical components at the time namely coils and capacitors. The chroma was filtered out with simple 'traps' - adequate at first but not very good performance. In '83 I got my Sony ProFeel monitor and tuner. 2 line comb filter with analog 1 line delay. Tuner had a SAW (surface acoustical wave) IF filter and selectable separate or intercarrier audio. This was a massive improvement over the previous consumer eletronics. We actually used the tuner as a back-up network feed (using another network affiliate feed) at the TV station I worked at because the performance was sufficiently good. GG |
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