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#1
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Hi all,
I'm wondering if buying HQ cables for audio and video, like e.g. Monster Cable, is worth the investment. Do picture and sound improve (much) ? I would like to receive some comments from people who upgraded from 'normal' cables to the 'very expensive' cabling on their home-theatre. Thank in advance !!!! Phil. |
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#2
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Phil likes horses, they are teh friends:
Hi all, I'm wondering if buying HQ cables for audio and video, like e.g. Monster Cable, is worth the investment. Do picture and sound improve (much) ? I would like to receive some comments from people who upgraded from 'normal' cables to the 'very expensive' cabling on their home-theatre. Thank in advance !!!! Phil. Firstly I'd imagine it depends on what sort of home cinema equipment and cabling you have at the moment? |
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#3
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In article , David Beamish wrote:
Firstly I'd imagine it depends on what sort of home cinema equipment and cabling you have at the moment? Assuming you have high-quality kit the cable does make a difference. The jump from standard audio and video to something reasonable is quite a jump in quality terms, but thereafter you will be hard-pressed to tell much of a difference. Personally I buy low to mid range cables as I feel you get good value from these. IMHO an a/b comparison between mid-range and expensive cables would cause you problems in telling any difference at all. I find that the particular quality cables lend to your system is more important. Take speaker cable, for example. Once I tried various cables between my amo and speakers and was stunned by the difference in tonal quality - one cable, for instance, made the system sound bright and thin, another made it sound bloated and bass-heavy. I managed to find a cable that just sounds perfect in my Arcam/Allison setup - Audioquest Type 4. I have my speakers bi-amped using an Arcam AV50 amp and Arcam Alpha 8 power amp. Two of the four inner cables of the Audioquest Type 4 feed the tweeter and the other two feed the bass. I get a quality from my Allison CD7 speaker that I have never bettered, even using equipment and cabled many times the price. I have found that with video cables the quality difference for short runs is less important - just go for something reasonably 'beefy'. Here I find that VanDamme provide the best in terms of value for money - I connect my home cinema gear to my plasma using the vandamme RGB cable - just four inner cables, Regd, Green, Blue and composite for the sync. -- To reply by email please replace 'news' with 'phillip' in my email address Phillip Deackes |
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#4
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On 19 Feb 2004 09:17:11 GMT, Phillip Deackes
wrote: In article , David Beamish wrote: Firstly I'd imagine it depends on what sort of home cinema equipment and cabling you have at the moment? Assuming you have high-quality kit the cable does make a difference. The jump from standard audio and video to something reasonable is quite a jump in quality terms, but thereafter you will be hard-pressed to tell much of a difference. There *may* be some benefir in using superior 'comms grade' video cabling, but there is absolutely *no* difference whatever in audio cabling. If you think you can prove different, there's a £1,000 prize waiting to be picked up. I find that the particular quality cables lend to your system is more important. Take speaker cable, for example. Once I tried various cables between my amo and speakers and was stunned by the difference in tonal quality - one cable, for instance, made the system sound bright and thin, another made it sound bloated and bass-heavy. ********. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
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#5
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In the right honorable
Stewart Pinkerton wrote: On 19 Feb 2004 09:17:11 GMT, Phillip Deackes wrote: In article , David Beamish wrote: Firstly I'd imagine it depends on what sort of home cinema equipment and cabling you have at the moment? Assuming you have high-quality kit the cable does make a difference. The jump from standard audio and video to something reasonable is quite a jump in quality terms, but thereafter you will be hard- pressed to tell much of a difference. There *may* be some benefir in using superior 'comms grade' video cabling, but there is absolutely *no* difference whatever in audio cabling. If you think you can prove different, there's a £1,000 prize waiting to be picked up. I find that the particular quality cables lend to your system is more important. Take speaker cable, for example. Once I tried various cables between my amo and speakers and was stunned by the difference in tonal quality - one cable, for instance, made the system sound bright and thin, another made it sound bloated and bass-heavy. ********. heheh - I always used to read the mags and kind of believe the cables argument until I had a decent system. to be honest I've never heard any quantitive difference between the cheap red/whote phonos in the box with the kit and the £30 or £80 interconnects I once believed were worthwhile system upgrades. "Stunning" differences simply do not exist when using different speaker cables - it's all snake oil. video cables can make a difference, particularly shielded vs. unshielded - but I'm with SP on this one - audio cables are a waste of money -- Patrick Your friendly neighbourhood Trendy Uncle |
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