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Terrestrial Switchoff - sorry to labour the point but...
On Fri, 29 Mar 2013 17:38:05 +0000, Clive wrote:
instead of Hanover Blind all that happened was desaturation of the hue signal presented to the CRT. The CRT only deals with RGB. The colour difference signals and luminance signal are presented to the YUV-RGB matrix. |
Terrestrial Switchoff - sorry to labour the point but...
In message , Paul Ratcliffe
writes: On Fri, 29 Mar 2013 17:38:05 +0000, Clive wrote: instead of Hanover Blind all that happened was desaturation of the hue signal presented to the CRT. The CRT only deals with RGB. The colour difference signals and luminance signal are presented to the YUV-RGB matrix. That was my first reaction when I read that (and I think it'd be true of hue), but remember the CRT guns are multi-electrode assemblies. I'm pretty sure I've heard of sets where the Y signal _is_ applied to one electrode (in each gun), with colour difference signals (of the Y-R [or R-Y] type, not B-R or anything) applied to others. -- J. P. Gilliver. UMRA: 1960/1985 MB++G()AL-IS-Ch++(p)[email protected]+H+Sh0!:`)DNAf Imagine what a paradise Earth would be if we'd made the same kinds of advances in politics as we have in physics. - Andrew Marr in RT, 22-28 September 2012 |
Terrestrial Switchoff - sorry to labour the point but...
On Wed, 3 Apr 2013 01:05:02 +0100, "J. P. Gilliver (John)"
wrote: instead of Hanover Blind all that happened was desaturation of the hue signal presented to the CRT. The CRT only deals with RGB. The colour difference signals and luminance signal are presented to the YUV-RGB matrix. That was my first reaction when I read that (and I think it'd be true of hue), but remember the CRT guns are multi-electrode assemblies. I'm pretty sure I've heard of sets where the Y signal _is_ applied to one electrode (in each gun), with colour difference signals (of the Y-R [or R-Y] type, not B-R or anything) applied to others. Colour difference drive was used in some early TV sets to minimise the component count, which was important in the days of thermionic valves. I think it was luminance to the cathode and colour differences (R-Y, G-Y and B-Y) to the grids. The G-Y signal was effectively the only one derived by matrixing anywhere other than in the tube itself. Matrixing in the tube wasn't quite perfect as grid drive and cathode drive have slightly different gain & gamma characteristics, and a contrast control that adjusted luminance gain (which was the usual practice) would have an effect on saturation as well. Rod. |
Terrestrial Switchoff - sorry to labour the point but...
On 4/1/13 11:14 PM, J. P. Gilliver (John) wrote:
In message , Johny B Good writes: [] I still have a 3 inch reel of triple play tape with a recording of a late night ghost story broadcast by Radio Caroline sometime in 1967. The tape recorder it was made with has long since been consigned to Land Fill so I can only audition it at a standard speed where it either sounds very flat at 1 7/8 ips or quite obviously chipmunky at 3 3/4 ips. My best guess at the original recording speed would be a surprisingly consistent approximation to 2 1/2 ips, give or take. [] I was hoping that there would be a trace of 4 or 5 KHz heterodyne to help in re-establishing the original speed but of that there was absolutley no trace (I guess my homebrewed superhet transistor radio was just too selective to allow such interference). It's going to be a case of "Adjusting by Ear" when I do get hold of the Round Tuit. There might be a trace of mains hum (or second or third or fourth harmonic thereof) - even if your recorder was battery-powered (was it?), there'd probably be some pickup from the house, or even on the original signal, which might have been 60 Hz if Caroline used US generators and equipment The Mi Amigo (South ship) did, not sure about the North ship off Ramsey. gr, hwh |
Terrestrial Switchoff - sorry to labour the point but...
On 4/2/13 3:57 AM, Johny B Good wrote:
If I'm going to detect any constant background signal to use as a cue to the original speed of the recording, it's most likely to be mains hum sourced rather than a 9KHz heterodyne. Probably. You could try to run the tape at double speed to detect it. [1] I often used to listen to Caroline South in the middle of the day from the Liverpool area just because I could (nothwithstanding the LO sideband noise effect on such weak signals as I was picking up on the built in ferrite rod antenna). Not bad, must have been after mid 1966 then, when they had a more powerful signal and better frequency (1187). gr, hwh |
Terrestrial Switchoff - sorry to labour the point but...
In message , Paul Ratcliffe
writes On Fri, 29 Mar 2013 17:38:05 +0000, Clive wrote: instead of Hanover Blind all that happened was desaturation of the hue signal presented to the CRT. The CRT only deals with RGB. The colour difference signals and luminance signal are presented to the YUV-RGB matrix. This depends on whether you're using "matrix in the tube" or external RGB amps. -- Clive |
Terrestrial Switchoff - sorry to labour the point but...
In message , "J. P. Gilliver
(John)" writes In message , Paul Ratcliffe writes: On Fri, 29 Mar 2013 17:38:05 +0000, Clive wrote: instead of Hanover Blind all that happened was desaturation of the hue signal presented to the CRT. The CRT only deals with RGB. The colour difference signals and luminance signal are presented to the YUV-RGB matrix. That was my first reaction when I read that (and I think it'd be true of hue), but remember the CRT guns are multi-electrode assemblies. I'm pretty sure I've heard of sets where the Y signal _is_ applied to one electrode (in each gun), with colour difference signals (of the Y-R [or R-Y] type, not B-R or anything) applied to others. Someone has done a bit of reading, the first sets had the luma to the base and the colour difference applied to the grids. -- Clive |
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