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Digital TV: the picture really is horrible!
In article , Peter
Hayes scribeth thus tony sayer wrote: One part of the digital chain that needs improvement is the quality of most receivers. Freeview quality can be excellent, especially downconverted HD, but Judging by what I see in the likes of Curry's the receivers the public are buying are complete rubbish. I should give what you wrote there some more thought;!... Freeview quality can be excellent, see the Reporting Scotland thread, but if some content, "flashing lights, fast movement, detail and smooth gradients on screen at the same time etc.", to quote the OP, fails, then there's room for improvement. That doesn't excuse manufacturers selling receivers that are, frankly, junk. Now where and why are the receivers junk?, when the real problem with freeview as implemented is bit rates that are too low most all of the time.. these are the cause of when you have outlined above.... When you consider of the rates used in studios and for transmission distribution!... Peter -- Tony Sayer |
Digital TV: the picture really is horrible!
In article .com, Mark
Carver scribeth thus On Aug 30, 11:58 am, (Peter Hayes) wrote: One part of the digital chain that needs improvement is the quality of most receivers. Freeview quality can be excellent, especially downconverted HD, but Judging by what I see in the likes of Curry's the receivers the public are buying are complete rubbish. I'm not sure. Yes, 20 quid DTT boxes lock up, get hot, have crappy GUIs etc, but I've not seen any dramatic differences in the basic picture quality, between those and 100+ quid boxes ? With MPEG the clever bits are done by the encoder, not the decoder, so in short quality improvements can only really be achieved (and they have been over the last 10/15 years) by improving the encoders. The only element where the picture quality can suffer in a DTT box is after the D-A converter, and of course the interface to the display device. Encoders can only do so much with so many bits.. ...Or rather lack of so many bits!... -- Tony Sayer |
Digital TV: the picture really is horrible!
"tony sayer" wrote in message
... In article , Peter Hayes scribeth thus tony sayer wrote: Now where and why are the receivers junk?, when the real problem with freeview as implemented is bit rates that are too low most all of the time.. these are the cause of when you have outlined above.... When you consider of the rates used in studios and for transmission distribution!... Yes, how much variation would you expect between the picture from a good TV and/or STB and a poor one, if they both get fed with the same aerial signal? Does the quality of the decoder hardware and software have any effect? Is a "good" decoder less prone to freezing and glitches due to local interference such as fridge switching on/off? I'd have thought that most of the variation would be in the analogue electronics between the D-A converter and the tube: amount of ringing and bandwidth (and edge-enhancement to try to compensate for loss of HF). What is regarded as an acceptible bit rate to provide no visible blockiness on fast-moving or gradually changing gradients such as smoke? I presume that it can be lower than the bit rate used internally within the studio because that has to allow for multi-generation copies without noticeable degradation. |
Digital TV: the picture really is horrible!
tony sayer writes:
Encoders can only do so much with so many bits.. ..Or rather lack of so many bits!... But if they reduced the number of channels on each MUX then the bitrate for each channel could be higher, and therefore also the quality. Do we really need so many +1 channels? If the number of repeats (especially of programmes which were only shown days or weeks previously) were reduced then not so many channels would be needed to show the same material. Come analogue switch-off, if they were to keep the current digital MUXes and convert the current analogue channels to digital then not only could they increase the number of channels on DTT but could increase the bitrate of all the channels. |
Digital TV: the picture really is horrible!
On Aug 30, 2:37 pm, "Mortimer" wrote:
Is a "good" decoder less prone to freezing and glitches due to local interference such as fridge switching on/off? Some are better than others I think ? I'd have thought that most of the variation would be in the analogue electronics between the D-A converter and the tube: amount of ringing and bandwidth (and edge-enhancement to try to compensate for loss of HF). Yep, see my other post. What is regarded as an acceptible bit rate to provide no visible blockiness on fast-moving or gradually changing gradients such as smoke? Well, a DVD's max bit rate is 9.99 Mb/s, but that's not really a fair comparison as they are often mastered using multipass encoding, not 'on the fly' as used in DVB. Take a look at C5 *analogue* on any transmitter outside the London region. That's fed to the transmitters by an 8.3 Mb/s MPEG2 stream. MPEG4 and other new schemes reduce the bit rate required for the same quality as MPEG2. I presume that it can be lower than the bit rate used internally within the studio because that has to allow for multi-generation copies without noticeable degradation. Studio bit rates, (1.4 Gb/s for HD, 270 Mb/s for SD) are uncompressed. Multigeneration is not really a problem on very mildly compressed tape formats such as DigiBeta (155 Mb/s). Problems begin with some of the 50 Mb/s tape and 'storage' formats, where compression starts to become significant. |
Digital TV: the picture really is horrible!
On 30 Aug, 13:37, (Peter Hayes) wrote:
tony sayer wrote: One part of the digital chain that needs improvement is the quality of most receivers. Freeview quality can be excellent, especially downconverted HD, but Judging by what I see in the likes of Curry's the receivers the public are buying are complete rubbish. I should give what you wrote there some more thought;!... Freeview quality can be excellent, see the Reporting Scotland thread, I haven't seen Reporting Scotland, either the old "bad" pictures, or the new "good" ones, but I don't think talking heads in a news studio are really testing of MPEG-2! but if some content, "flashing lights, fast movement, detail and smooth gradients on screen at the same time etc.", to quote the OP, fails, then there's room for improvement. That doesn't excuse manufacturers selling receivers that are, frankly, junk. "Compliant" MPEG decoders do not degrade the video signal (beyond rounding errors). If you watch on a 4:3 set in letterbox mode, there's some horrible scaling going on, which can be good, bad, or indifferent (usually bad). If you watch 4:3 in centre cut, or on a 16:9 TV, there isn't. As long as the output is reasonable quality RGB (and 6MHz bandwidth, 45dB+ SNR, no screwy phase issues etc is hardy rocket science), it's not a big issue. What's important is the MPEG encoding, and the display. Cheers, David. |
Digital TV: the picture really is horrible!
"Peter Hayes" wrote in message news:1i3npvh.1syr85z1gf6rfhN%[email protected] com... wrote: Mind you, it should help push HD, if it stays at sensibly high bitrates. And comes down substantially in price. it has - compare the price of a hd capable tv now to the price 2 years ago. -- Gareth. That fly... is your magic wand. http://www.last.fm/user/dsbmusic/ |
Digital TV: the picture really is horrible!
"Mortimer" wrote in message ... What is regarded as an acceptible bit rate to provide no visible blockiness on fast-moving or gradually changing gradients such as smoke? I presume that it can be lower than the bit rate used internally within the studio because that has to allow for multi-generation copies without noticeable degradation. if freeview had a bitrate for each channel of up to 10mbit per second - as dvd does, which is also mpeg2, it could look every bit as good as that. -- Gareth. That fly... is your magic wand. http://www.last.fm/user/dsbmusic/ |
Digital TV: the picture really is horrible!
"the dog from that film you saw" wrote
in message ... "Mortimer" wrote in message ... What is regarded as an acceptible bit rate to provide no visible blockiness on fast-moving or gradually changing gradients such as smoke? I presume that it can be lower than the bit rate used internally within the studio because that has to allow for multi-generation copies without noticeable degradation. if freeview had a bitrate for each channel of up to 10mbit per second - as dvd does, which is also mpeg2, it could look every bit as good as that. Mind you, I've seen some god-awful DVDs :-( I bought a boxed set of The Sweeney and they've tried to squeeze four hours (four episodes) onto some DVDs - with consequent blocky pictures on some of the more action-packed episodes. The actual action scenes look as if they have been specially processed to give them increased bit rate (according to the figures reported by Power DVD) but some of the other scenes with a lot of movement are atrocious - bit rates down to less than 2 Mbps and blocks the size of footballs. |
Digital TV: the picture really is horrible!
Graham Murray wrote:
tony sayer writes: Encoders can only do so much with so many bits.. ..Or rather lack of so many bits!... But if they reduced the number of channels on each MUX then the bitrate for each channel could be higher, and therefore also the quality. Do we really need so many +1 channels? We don't, the channel bean counters do. Each +1 is an additional revenue stream at minimal cost. If the number of repeats (especially of programmes which were only shown days or weeks previously) were reduced then not so many channels would be needed to show the same material. The +1 channels should help fund better programmes, in theory... :-) Come analogue switch-off, if they were to keep the current digital MUXes and convert the current analogue channels to digital then not only could they increase the number of channels on DTT but could increase the bitrate of all the channels. And add a few HD channels. But will the cash strapped broadcast TV industry be able to compete for this additional spectrum? -- Immunity is better than innoculation. Peter |
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