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Digital TV: the picture really is horrible!
On Aug 29, 1:55 pm, "Graham Harvest" wrote:
Do broadcasters still put a line of colour bars in the vertical interval? I'm sure they all used to do this last time I checked (early 90's) and often had a 2T pulse too. No colour bars, you're thinking of the first few active picture lines on Test Card F ? However there is ISTR a linearity staircase, and 2T pulse and bar. UK standard signal, carried on lines 19/332 and 20/333 I think ? Only on analogue, not via DVB where they would have no relevance of course. |
Digital TV: the picture really is horrible!
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Digital TV: the picture really is horrible!
tony sayer wrote:
In fact that would probably be the best way to go, high definition radio and TV on satellite for fixed home consumption, and the more compromised product for mobile and portable use... Sssshhhhhhh!!!!.... The ex-media students running the beeb commonly use google for research about technology that confuses them. Ye don't wanna give them these ideas.... -- Adrian C |
Digital TV: the picture really is horrible!
On Aug 29, 4:29 pm, Adrian C wrote:
Sssshhhhhhh!!!!.... The ex-media students running the beeb commonly use google for research about technology that confuses them. Ye don't wanna give them these ideas.... As long as no one posts any ideas in 'text speak' we should be OK ! |
Digital TV: the picture really is horrible!
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Digital TV: the picture really is horrible!
On 29 Aug, 23:41, (Peter Hayes) wrote:
wrote: I've been too busy to watch TV recently, so maybe I'd forgotten how bad it could look, but... I had chance to catch the last episode of Mountain on Sunday night, and saw some of Dance X (?) the night before. I enjoyed Mountain. Not too much distracting "filmic effect" (only on a few shots), and only the MPEG encoding of moving fine details let it down. Great programme. However, Dance X... isn't the picture quality shocking? It seems ~5Mbps MPEG-2 just can't cope with flashing lights, fast movement, detail and smooth gradients on screen at the same time etc. In the PAL days, even in "component" studios, people monitored a composite PAL version to see what it would look like at home. That way, they could avoid including fine detail that was simply going to be lost in cross-colour artefacts. Or the strobing sports jacket. Yet now, in these "MPEG-2" days, no attempt is made to avoid content that stands no chance of surviving MPEG-2 encoding. Since it looks fine on an analogue PAL screen why should a director feel constrained because of the defects of one segment of the transmission chain? I can just see his reaction to being told he can't now shoot the way he did ten years ago "because the digital transmission chain can't cope". The answer isn't to impose silly restrictions on directors but to improve the digital transmission chain. Improvements won't be made by curtailing throughput, but by insisting that what was possible yesterday must be made possible tomorrow. The alternative eventually becomes VHS quality all round, eg ITV3/4. I agree entirely, but I think the chances of digital SD picture quality improving are about zero. If anything, I predict a continued downward trend. Analogue SD has five years left at most, and is a minority viewing platform on main sets. So, producers et al will continue to create pictures which no one outside the studio can ever appreciate? Mind you, it should help push HD, if it stays at sensibly high bitrates. Cheers, David. |
Digital TV: the picture really is horrible!
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Digital TV: the picture really is horrible!
One part of the digital chain that needs improvement is the quality of most receivers. Freeview quality can be excellent, especially downconverted HD, but Judging by what I see in the likes of Curry's the receivers the public are buying are complete rubbish. I should give what you wrote there some more thought;!... So, producers et al will continue to create pictures which no one outside the studio can ever appreciate? But when they see their product destroyed in transmission they might start asking embarassing questions. That's one way to force progress, unless you are willing to surrender all policy making to bean counters. Mind you, it should help push HD, if it stays at sensibly high bitrates. And comes down substantially in price. Peter -- Tony Sayer |
Digital TV: the picture really is horrible!
On Aug 30, 11:58 am, (Peter Hayes) wrote:
One part of the digital chain that needs improvement is the quality of most receivers. Freeview quality can be excellent, especially downconverted HD, but Judging by what I see in the likes of Curry's the receivers the public are buying are complete rubbish. I'm not sure. Yes, 20 quid DTT boxes lock up, get hot, have crappy GUIs etc, but I've not seen any dramatic differences in the basic picture quality, between those and 100+ quid boxes ? With MPEG the clever bits are done by the encoder, not the decoder, so in short quality improvements can only really be achieved (and they have been over the last 10/15 years) by improving the encoders. The only element where the picture quality can suffer in a DTT box is after the D-A converter, and of course the interface to the display device. |
Digital TV: the picture really is horrible!
tony sayer wrote:
One part of the digital chain that needs improvement is the quality of most receivers. Freeview quality can be excellent, especially downconverted HD, but Judging by what I see in the likes of Curry's the receivers the public are buying are complete rubbish. I should give what you wrote there some more thought;!... Freeview quality can be excellent, see the Reporting Scotland thread, but if some content, "flashing lights, fast movement, detail and smooth gradients on screen at the same time etc.", to quote the OP, fails, then there's room for improvement. That doesn't excuse manufacturers selling receivers that are, frankly, junk. Peter |
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