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BBC3 DOGS
BrianH wrote:
Surely the real reason for the now globally ubiquitous screen logo is simply an attempt to imprint a watermark and thereby dissuade commercial copying. Or am I missing something here? Yes, you are missing the fact that anyone who wants to do this would usually have other non-defaced sources for the material, or would simply remove the logo using technological means. Point taken, but I meant a "weak attempt ... [to] dissuade", in particular amateur efforts rather than professional studios. After all, there are some VERY amateur film recordings for sale in far eastern markets; I remember watching one awful pirated one that had been made in a cinema with head silhouettes appearing at the bottom of the screen as people came and left their seats. Yes, and that's exactly why it won't make any difference. Even if the only source is a DOG-defaced off-air recording, and the pirate can't be arsed to obscure the source in his copy, people will still buy it. After all, it was good enough for the target audience, wasn't it? And certainly better than a camcorder copy of a new film release. And are there really "other non-defaced sources" so easily accessed as a digital satellite FTA source, for example? I'm thinking of some of the more prestigious BBC productions. Inside jobs, DVD releases... Anyway, I still think that copyright protection is a more credible reason than the risible official ones given, that of brand identification, or worse, that the public finds it useful for identification. I prefer to believe that there is no credible reason at all! |
BBC3 DOGS
in 221554 20070109 153617 BrianH wrote:
Roderick Stewart wrote: In article , Geoff Winkless wrote: Pyriform wrote: For example, I once went on a course where the lecturer had some kind of verbal tic that caused him to randomly append the words "to it" to many of his sentences. *lol* I had a lecturer who used to do that with "right". I think the record was over a hundred. We had a teacher at school who used the word "therefore" in nearly every sentence he uttered. I think everyone who's ever been in a teaching establishment of any sort must have encountered at least one character like this. Once you've noticed their particular verbal tic, you can't *not* notice it, and your sole objective from then on becomes keeping a tally, to the total neglect of whatever it is that they're trying to teach you. But have you noted just how many times anyone interviewed uses the verbal crutch "you know"? Usually lamely tailing off a sentence when further descriptive powers desert them. This has reached such proportions that even public figures sprinkle their utterances with very liberal doses, sometimes in every sentence, such that I believe the general audience does indeed mentally filter it out, along with its companion, "I mean" that appears almost as frequently. "I mean" is the most annoying to me - people being interviewed on radio and TV seem to start every reply with "Yes, I mean ..." or "No, I mean ..." |
BBC3 DOGS
BrianH wrote:
Surely the real reason for the now globally ubiquitous screen logo is simply an attempt to imprint a watermark and thereby dissuade commercial copying. Or am I missing something here? No, it's purely a marketing and branding tool as far as the UK broadcasters are concerned. AIUI BBC TV transmissions carry a watermark, and have done for about 20 years. It can't be seen on normal viewing, but it is robust enough to survive multiple VHS generations. -- Mark Please replace invalid and invalid with gmx and net to reply. |
BBC3 DOGS
"Heracles Pollux" wrote in message ... I can't seriously imagine ITV would want to "copy" BBC THWEE or BBC FLAWs off-air feed. I can't imagine some broadcaster would want to off-air copy the **** running on ITVx or procure a movie from ITVx off-air. Surely it would be easier to copy a DVD? ;-O Is broadcaster piracy really such a threat and does it actually exist in the UK? I think not. The other factor is that UK broadcasting is still heavily unionised and regulated. To play 30 seconds of music entitles the music rights holder to a small fee on every play. Every appearance of an actor entitles the said actor of a royalty fee. DOG or not, these parties are not going to let their content go out without PACT, Equity, or their agents collecting their fees. The more money at stake, the more fuss and effort they will go to protect their actual revenue streams. So again, where is this supposed "off-air" piracy, and how does the DOG prevent copying? And why would it be needed for such a purpose on the BBC's DOG **** infested HD service when it is impossible to copy it because of DRM. Also why the "top left"? http://forum.logofreetv.org/topic.asp?TOPIC_ID=906 They know that the top-left is the most prominent position. Would copy protection require "the most dominant position" of the screen when the bottom right would be equally valid. It looks like nothing much more than marketing witchcraft, from a pool of people thinking the equivalent of "the world is flat because one does not fall off the edge", because is it nothing more than marketing dogma and "belief" on the part of a very small number of unaccountable boneheads. |
BBC3 DOGS
Dom Robinson wrote:
Pyriform wrote: Judy Booth wrote: Have you tried complaining to the BBC about [DOGs]? I'm not saying they will change things based on a single complaint, but if enough people are unhappy about this and tell them so, then they may stop doing this. Not a chance. Their standard response is that they have research showing that people like them. This is a lie, obviously, but shows the mentality that underlies their imposition. The only way to put an end to these territorial ****ings is to root out all the TV executives who think they are a good idea, line them up against a wall, and have them shot. That's a little harsh, Pyriform... Why wait till they're lined up? :) Because that would just be uncivilised. I suppose next you'll be suggesting we all crowd round and call them names before shooting them.... Actually, I might make them stand in front of a giant bullet-proof plasma screen displaying examples of their work, "pour encourager les autres"... And the whole event would be televised, naturally. |
BBC3 DOGS
BrianH wrote:
Point taken, but I meant a "weak attempt ... [to] dissuade", in particular amateur efforts rather than professional studios. After all, there are some VERY amateur film recordings for sale in far eastern markets; I remember watching one awful pirated one that had been made in a cinema with head silhouettes appearing at the bottom of the screen as people came and left their seats. As said, given this quality threshold, a BBC logo isn't going to upset/stop "pirates" or their audience! And are there really "other non-defaced sources" so easily accessed as a digital satellite FTA source, for example? I'm thinking of some of the more prestigious BBC productions. The most prestigious BBC productions are shown on BBC One, DOG-free. Can something that never makes it onto BBC One or Two (DOG-free) really be called "prestigious"? Anyway, I still think that copyright protection is a more credible reason than the risible official ones given, that of brand identification, or worse, that the public finds it useful for identification. Can you point to a single case of the BBC using it as such, e.g. using a logo to prove that some pirated content was owned by the BBC in legal proceedings? btw, don't underestimate how easy (and common place) it is to remove a logo... http://neuron2.net/delogo132/delogo.html http://forum.doom9.org/showthread.ph...359#post903359 For programmes that don't make it into BBC One or Two, sometimes the only place to see them _without_ a DOG is via an illegal download (or by processing them yourself). Cheers, David. |
BBC3 DOGS
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BBC3 DOGS
In article , says...
Dom Robinson wrote: Pyriform wrote: Judy Booth wrote: Have you tried complaining to the BBC about [DOGs]? I'm not saying they will change things based on a single complaint, but if enough people are unhappy about this and tell them so, then they may stop doing this. Not a chance. Their standard response is that they have research showing that people like them. This is a lie, obviously, but shows the mentality that underlies their imposition. The only way to put an end to these territorial ****ings is to root out all the TV executives who think they are a good idea, line them up against a wall, and have them shot. That's a little harsh, Pyriform... Why wait till they're lined up? :) Because that would just be uncivilised. I suppose next you'll be suggesting we all crowd round and call them names before shooting them.... I'll be sure to record the footage on my mobile phone while the condemned shout back, "Is this your manhood=3F?" :) Actually, I might make them stand in front of a giant bullet-proof plasma screen displaying examples of their work, "pour encourager les autres"... And the whole event would be televised, naturally. And on Youtube before you can blink :) -- Dom Robinson Gamertag: DVDfever email: dom at dvdfever dot co dot uk /* http://DVDfever.co.uk (editor) /* 1125 DVDs, 344 games, 299 CDs, 110 cinema films, 41 concerts, videos & news /* gears of war, beatles week, ridge racer 2 psp, call of duty 3, jarhead New music charts - http://dvdfever.co.uk/music.shtml DVDfever Youtube Channel - http://youtube.com/user/DVDfever |
BBC3 DOGS
In message , Pyriform
writes I don't think so, although of course it's impossible to be sure. He never used it in an appropriate context to it. You see - you're doing it now. -- Trevor Wright |
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